Waching daily Nov 29 2017

You want to know how you can do for free

a study of keywords in google

It is a few seconds

on the featured video you what I tell

Hello my name is juan merodio and

Welcome to the new video if your

first b

If you want to learn all the tricks

on digital marketing and entrepreneurs

Started same subscribing to

My Channel to not miss any of the

videos he published daily get

words key associated with a

or industry specific search for

to know not by whom we

posicionarnos en google cuáles son las

más adecuadas que nos darán negocio

desde hace algún tiempo ya no es 100%

gratis no puesto que google con su

herramienta de análisis

ahora mismo ya sólo permite acceder a

ella a los usuarios que tengan al menos

una campaña activa dentro de google

adwords ya que si no no podrás ver esta

información

esto puede provocar una limitación no

para muchos usuarios que actualmente no

tienen esas campañas activas

gracias al profesional se 8 y saw al

cual pues sigo desde hace algún tiempo

no porque personalmente creo que publica

un contenido de real valor por lo tanto

te digo si quieres saber más sobre seo

debe ser una de las personas a las que

debes poner en tu lista a seguir sus

contenidos no de hecho te dejo en la

descripción del video el enlace a su

blog o no pero hace unas semanas

publicó un video donde hablaba de una

herramienta que aunque tenía

limitaciones es cierto pero te permitía

hacer este estudio de palabras clave

totalmente gratuito

la herramienta se llama aquí wall cirer

de hecho te dejo la descripción del

video el enlace a la misma para que lo

puedas encontrar directamente no quiero

mostraros cómo funciona y va a saber

que es muy sencillo no y el beneficio

que podéis obtener con ella

bueno acá estamos ya dentro de de la

herramienta y como puedes ver la

herramienta es muy sencilla lo único

que tienes que poner aquí es la palabra

clave sobre la que quieres que te busque

palabra relacionadas no es por ejemplo

pues fijar vamos a poner una búsqueda

imaginamos qué te dedicas al mundo de

los seguros de coches bien simplemente

pongo seguros de coches

llegamos aquí así keywords iba a saber

cómo automáticamente fija de que

empieza a generar decenas cientos y

miles de palabras relacionadas además

interesante es que te indica el número

de volumen de búsquedas mensuales que

tiene esa palabra y el coste por clic

dio dentro de google adwords o en este

caso pues fíjate estamos viendo para

seguros de coches casi 50 mil búsquedas

entre el 0 97 dólares

16 05 dólares habrá unas búsquedas

donde bueno pues a muerte de algún dato

bajó incluso erróneo pero fijaos toda

la cantidad de búsqueda sigue

trabajando ya vamos por 456 y y sigue

subiendo

obviamente tiene limitaciones respecto a

la propia herramienta de adwords no

puesto por ejemplo no podemos segmentar

por determinado país las búsquedas

concretas pero creo que para un estudio

inicial que necesita es hacer un poco

más y más global puede ser una

herramienta muy muy interesante no

bueno pues aquí sería dejarlo hasta

que te detectan las palabras clave y a

partir de aquí hace es el estudio como

éste te las pone todas de golpe pero

nos permite también hacer una descarga

fijados voy a parar a que siga haciendo

la búsqueda y le digo yo quiero

descargarme todas estas palabras clave

las 637 le di a descargar y fijaos que

automáticamente me genera un archivo de

texto así lo tenemos con todas las

palabras clave relacionadas para poder

utilizarlas tiene una herramienta muy

sencilla totalmente gratis y de la que

puedes obtener muchísimo valor ha

gustado el video

dale me gusta y quiero hacerte

partícipe de él por lo que dejan los

comentarios con el hashtag análisis

palabras clave

qué opinión te merece esta herramienta

y otras herramientas usadas para

análisis de estas palabras clave entre

todos los comentarios que reciba los

distintos vídeos del mes soltar en mi

curso on line de estrategia de marketing

digital valorada en 995 euros por lo que

cuanto más convenientes en mis videos

diarios más oportunidades vas a tener

de ganarlo así que deja ahora tu

comentario

si llueve para mí

me

For more infomation >> Cómo hacer GRATIS un estudio de palabras clave en Google - Duration: 4:34.

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Aparecida Sertaneja | Mariangela Zan - Viva a vida - 28 de novembro de 2017 - Duration: 3:01.

For more infomation >> Aparecida Sertaneja | Mariangela Zan - Viva a vida - 28 de novembro de 2017 - Duration: 3:01.

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Aparecida Sertaneja | Mariangela Zan - Do mundo nada se leva - 28 de novembro de 2017 - Duration: 2:21.

For more infomation >> Aparecida Sertaneja | Mariangela Zan - Do mundo nada se leva - 28 de novembro de 2017 - Duration: 2:21.

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Aparecida Sertaneja | Mariangela Zan - Paixão do lado esquerdo - 28 de novembro de 2017 - Duration: 2:51.

For more infomation >> Aparecida Sertaneja | Mariangela Zan - Paixão do lado esquerdo - 28 de novembro de 2017 - Duration: 2:51.

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Unité de recyclage des eaux usées NEREUS - Duration: 3:22.

For more infomation >> Unité de recyclage des eaux usées NEREUS - Duration: 3:22.

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Aparecida Sertaneja | Zé Mulato e Cassiano - Saudação - 28 de novembro de 2017 - Duration: 2:46.

For more infomation >> Aparecida Sertaneja | Zé Mulato e Cassiano - Saudação - 28 de novembro de 2017 - Duration: 2:46.

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Após fugir do hospício, Clara se esconde na casa de Duda - Duration: 2:33.

For more infomation >> Após fugir do hospício, Clara se esconde na casa de Duda - Duration: 2:33.

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Aparecida Sertaneja | Zé Mulato e Cassiano - Juventude na viola - 28 de novembro de 2017 - Duration: 3:16.

For more infomation >> Aparecida Sertaneja | Zé Mulato e Cassiano - Juventude na viola - 28 de novembro de 2017 - Duration: 3:16.

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Reportage atelier costumes Opéra de Lyon - Duration: 11:28.

-We are in the costume workshops of the Opéra de Lyon.

The Opéra de Lyon has a workshop since 1969

when its new director Louis Erlo decided to found the new opera

and transform it into a creative theater.

He and Jacques Rapp, his decorator, asked the city of Lyon

to hire a team of tailors and a workshop foreman, Denise Denuzière.

At that time, the workshop was located

on the last floor, under the roof.

Since 1993 when the Jean Nouvel building was reconstructed,

the workshop is located

five minutes away from the opera between Lacassagne and Royale streets.

This allows artists

to come to us and try on the costumes.

When Serge Dorny, director of the Opera,

programs a new production, he submits it to a producer.

This producer chooses a team called maîtres d'oeuvre:

a scenographer to design the set up,

a lighting engineer for the lights and a costumer to design the costumes.

The workshop works with the costumer

to achieve the costumes until the first performance.

At first the costumer works on the costume models and drawings

submitted to the producer.

Then, six months to a year prior to the first stage performance

of the production, we organize a show of the costume project

with the opera direction.

The workshop will then have to organize and achieve the costumes

by accompanying the project during its whole creation process.

At each step during exchanges with the costumer,

the workshop brings forward proposals regarding material choices,

costume cuts and technical solutions

that can meet the project's aesthetics and the artists' comfort.

Today the workshop consists of 17 persons.

At first, the modeling costumers work on the models of the costumers

to interpret them in three dimensions.

From the patterns, moldings

and cuts in the final fabrics, they work with the tailors

who achieve and assemble the costumes

through the different steps from the fitting preparations

until the finishing touches.

The costume designer works on the costume dyeing,

sheens and fabric printings.

She also makes accessories such as jewels, headdresses

or masks for the costumes.

To complete the costume's outline, we have a cobbler

in charge of an important shoe collection from different eras.

If needed we can buy or make specific shoes depending on the requests.

Over a season,

the opera program represents

five to seven new lyric productions,

three or four reprises of our repertoire

or exchanges with co-producers such as La Scala, Brussels, London,

Madrid, Barcelona or New York's Metropolitan.

The opera also has a ballet company consisting of about thirty dancers

for which we also make costumes.

The company offers four kinds of evenings per season

on the opera stage made of works from the repertoire or new productions.

The workshop also works with the choir school of the Opéra de Lyon

consisting of about a hundred children partnered with the National Education

which can sing in the different productions.

The choir school also offers its own production each season.

The program's intensity forces the workshop

to simultaneously work on several productions.

The workshop team then needs to be reinforced with intermittent artists

split into production managers, modeling costumers,

tailors or decorators.

Staging rehearsals start four to five weeks

prior to the show's opening night.

This is when the workshop's activity becomes more intense

until costumes are delivered during the piano run-through

a week before the opening night.

Everyone from the workshop brings its know-how

to meet the requirements of a high-quality work.

-This is indeed a very impressive costume.

Getting up high to sing the first aria of the queen was a challenge

because I suffered from vertigo at first.

When rehearsing without the dress,

I could see an impressive abyss below my feet.

But it also allowed me to build the character.

I could stage the queen's notion of power and domination

thanks to the two-and-a-half-meter altitude reached by the platform.

It was a blessing in disguise.

I had a hard time working at such heights

but I could personify the character.

O tremble not, beloved son!

The specificity of this costume comes from its size.

It is a monumental costume since apart from my little head and arms

it is a dozen-meter-wide and a dozen-meter-long dress.

It is a very impressive costume which has nothing to do

with the usual pair of jeans.

It is also a way to get into this queen's role

which has a magical and mystical side

and was treated by Pierrick Sorin like a deity.

The dressing process was also a way for me to get into the role again.

We were going down to the second vault,

amongst girders and a wooden ceiling.

We could hear the cracks of the singers' footsteps on stage.

It was both distressing and exciting to see things getting set up.

Of course I was helped by two dressers,

a make-up artist to check if everything was alright,

technicians...

We were a team of roughly twelve to fifteen persons

on the alert for this aria. We set up ourselves well in advance.

I could hear Papageno's then Tamino's arias,

the dialog with the three ladies

before being installed on a tiny platform

with straps for my feet and waist to ensure my safety once I was up.

Then it started.

The dresser slipped the dress on in the best way she could

through my arms with a great slit on the back that was then closed.

It was a real mess.

Of course I preferred doing those rather distressing handlings

well in advance.

This is why I spent a long time strapped in the second vault

waiting for my turn and for the platform to rise.

Once again it was anxiety-provoking but allowed me to focus on this queen

and get conscious of this moment when the queen of the night enters

that the audience was expecting.