Waching daily Mar 30 2017

all right paw Patrol it's training day

having to practice our rescue skills on

this train horses rider set up front and

set up for you till Ronald Marshalls

fire rescue challenge click play to

start play behind for my dirs key

challenge how we stretch is pretty hot

dog let's put out as many fires as we

can before time runs out I see another

fire I see another fire top suppliers

out I'm fired up remember aim for the

fire all right yeah its final encounter

nice firefighting I'm fired up times

almost up keep putting out fires

remember a good fire oh I see another

fire he had cook firefighting work

thanks for helping me with my fire

rescue training click back what he is

playing with us awesome

struction challenge click Play to start

planning for my construction challenge I

need you to help train you and Mike

right great now let's dig in help me

build the tower did type time runs out

careful our powers starting to wobble

careful our powers starting to watch

rubble on the double all right we built

the Tower to the right height for time

ran out click back to train with another

pump is same with us Rocky's recycling

challenge click Play to study but

griffin reuse it for my recycling

training challenge help me sort the

trash compost and recycling into the

right big trash goes to the grave in

compost like fruits and vegetables go

into the green bit i'm cycling like

plastics and glass go to the blue bin

use your mouse to click on an object and

then click again on where you think it's

your job

great now let's keep training

I don't think that goes there thanks for

helping me practice sorting the trash

compost and recycling click back to

train with some other pub

great work tough we can read it all of

our training challenges in turn our

magic since i'm taking us to Mount we

have a power reward night let's play

again trying to run again we're staying

with us police challenge why my training

challenge call me back to the rescue

from the room look out for a run and get

on the road after walk down with the

apocalypse we already chose to just as

it does represent a specific focus on

the agenda so experiment

my paternal

awesome training much how many turtles

we save click that to train with another

party is playing with US Marshals right

time for my fire rescue challenges help

me practice putting out as many fires as

we can before time runs out flesh

awesome let's put out as many fires as

you can before powering down I see

another fire all right another spiders

house oh he fired

all right no spiders have never fired

all right fires out hard from

firefighters can finally get some real

fires I see another fire all right

another fire stuff then tadka

firefighting work thanks for helping me

with my fire rescue training quick back

strange some other pop back later you're

staying with us awesome destruction

challenge click Play to start planning

for my construction challenge I need you

to help with train do it my crazy and

the four time runs out to press the

spacebar on your keyboard to help you

drop the bike into the right place

great now let's dig in help me know this

how we did types or time runs out

alright we built the power to the right

height or time ran out click back to

train with number tough lady is playing

with us awesome Rockies recycle any

challenge click play to start don't lose

it reuse it for my recycling training

challenge help me sort the trash compost

and recycling into the right bin trash

goes to the grave in compost like fruits

and vegetables go into the green bin and

recycling like plastic and glass go to

the blue bin use your mouse to click on

an object and then click again on where

you think it should go you great now

let's keep training scream used oh

thanks for helping me practice sorting

the trash compost and recycling click

back to train with some other pups

great worth pup we completed all of our

training challenges until in our badges

click on take away your mouth give us

our reward oh let's play again to train

the bus again train your mouth honorary

members of the paw Patrol click print

print your very own back

you

For more infomation >> Paw Patrol Francais, Camion de pompier Et Voiture De Police, Bulldozer Pour Petit - Duration: 13:20.

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¡Kate del Castillo quiere verse con el Chapo Guzmán! | Un Nuevo Día | Telemundo - Duration: 0:42.

For more infomation >> ¡Kate del Castillo quiere verse con el Chapo Guzmán! | Un Nuevo Día | Telemundo - Duration: 0:42.

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Lesson 5 - Sancho wants to govern his isle - Duration: 4:57.

Hello and welcome back again.

SP's arrival causes quite an interruption at the end of chapter one.

The voices heard turn out to be those of the niece and the housekeeper, who are militant

in their defense of DQ's house.

The housekeeper insults SP, calling him a "vagabond" and accusing him of leading

DQ astray.

SP responds with equal vitriol, calling her "Housekeeper of Satan" and claiming that

it was DQ who lead him astray and that he has yet to receive the "isle" he was promised.

If part two is more political than part one, it is also more explicitly focused on economics.

SP tells the housekeeper that she is off by "half the just price," which alludes to

the era's hotly debated issue of whether prices should be determined according to the

free market or, rather, according to the calculations of appointed regulators.

The School of Salamanca generally argued in favor of the free market; monopolists and

certain religious and government officials argued that they should set prices.

Ironically, even though SP accuses the housekeeper of mispricing his relationship with DQ, he

still has corrupt intentions.

He hopes for more profit from ruling his island than "four court judges."

The housekeeper snaps back that he should be content with what he has: "Go and govern

your own house and work your parcels of land."

Here is Cervantes's novel in a nutshell: the contrast between chivalric adventurism

and the simple, though apparently difficult, art of managing one's own household.

Once they are alone, DQ chastises SP for mischaracterizing their relationship during his argument with

the housekeeper.

He uses medical and anatomical discourse in order to reassert a kind of natural, feudal

bond between master and servant.

Cervantes underscores this by having DQ begin with a Latin phrase: "You are deluded, Sancho...

as the saying goes, quanto caput dolet, etcetera...

I mean... that when the head aches, all the other members also ache; and seeing as I am

your lord and master, I am your head, and you my member, for you are my servant; and

for this reason, any evil that touches, or might touch, me will cause you pain, and yours

will do the same to me."

SP's response is brilliant and comical, but it also reestablishes an important tension

between our heroes that we saw in part one.

SP recalls the episode in DQ 1.17 when he was blanketed for refusing to pay the innkeeper:

"but when they tossed me in the blanket like a member, my head was behind the fence,

watching me fly through the air, not feeling any pain whatsoever."

DQ insists that he felt the squire's pain in a spiritual sense and then he changes the topic.

That's all for now, we will see each other in the next vídeo.

If you liked this video and want to continue learning more about the knight errant Don Quijote de la Mancha,

You can subscribe to our YouTube channel here.

Also, you can enroll in our free online course on Don Quijote by clicking here.

For more infomation >> Lesson 5 - Sancho wants to govern his isle - Duration: 4:57.

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¡Alarmante aumento de las muertes en la frontera sur! | Un Nuevo Día | Telemundo - Duration: 0:57.

For more infomation >> ¡Alarmante aumento de las muertes en la frontera sur! | Un Nuevo Día | Telemundo - Duration: 0:57.

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Lesson 2 - Don Quijote has the solution - Duration: 5:09.

Hello and welcome back again

At this point the priest discards the plan of avoiding topics related to chivalry.

He mentions that there is news at court "that the Turks were approaching with a powerful

armada."

The news probes DQ's particular madness because it relates to the numerous militia

calls in the latter part of the sixteenth century, calls which justified the existence

of the outmoded hidalgo caste.

Furthermore, the priest says that Philip III has reinforced Naples, Sicily, and Malta,

this last island famously defended against the Turks by the Knights of St. John of Jerusalem.

Notice, too, how all this relates to Cervantes's own heroism at the Battle of Lepanto.

DQ takes the bait and says he has the perfect solution.

Here we get our first glimpse of a character's inner thoughts in part two.

The priest observes to himself that DQ has now fallen from "the high peak" of his

insanity to "the deep abyss" of his foolishness.

We also get part two's first conflict as the barber says that DQ's solution might

join "the list of those many impertinent recommendations which are so often given to

princes."

DQ is clearly upset, mocking the barber by calling him "Mister Shaver."

All pretense now drops as the priest even calls our hero by his chivalric name, DQ.

When DQ says he did not want to share his solution with others who might steal his idea,

the barber alludes to chess, swearing that he won't divulge DQ's idea "to neither

the king nor the rook."

He also refers to a certain ballad about a thief who robs a priest of 100 "doblas"

and "his mule with the wandering gate," thereby recalling two major issues from part

one: SP's money and his missing ass.

We also get our first case of bourgeois jargon in part two when the priest vouches for the

barber using contractual language: "I vouch for him and guarantee his word."

When DQ asks who vouches for the priest, we get part two's first case of blasphemy.

The priest responds that he doesn't need anybody to vouch for him.

He alludes to the sacrament of confession, claiming that his profession is enough: "it's

all about keeping secrets."

DQ's reaction mocks the phrase that accompanies the bread distributed during

the Eucharist: "Here's the body!"

DQ argues that the King could destroy the Turk if he were to enlist only a handful of

men like Amadís of Gaul and Don Belianís.

However, since those men are no longer to be found, the job falls to him.

DQ invokes God twice: "God will look after His people... and God understands me."

At these words his niece reacts in fear –"Kill me now if my Lord doesn't want to be a knight

errant again!"–, but DQ remains defiant: "I shall die a knight errant."

That's all for now, we'll see each other in our next video.

If you liked this video and want to continue learning more about the knight errant Don Quijote de la Mancha,

You can subscribe to our YouTube channel here.

Also, you can enroll in our free online course on Don Quijote by clicking here.

For more infomation >> Lesson 2 - Don Quijote has the solution - Duration: 5:09.

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Lesson 21 - Sancho's political mantra - Duration: 6:46.

Hi there, welcome back

SP's egocentric response to this line of thinking is complex.

First he says that he is too poor to be envied.

Then he defends his personal honor by insisting on his orthodoxy and his ethnic purity.

Note how he expresses a certain moral contradiction: "I've always believed, firmly and truly,

in God and in everything that is maintained and believed by the Holy Roman Catholic Church,

and then there's my being a mortal enemy, as I am, of the Jews, and so the historians

should take pity on me and treat me well in their writings."

SP asks for pity from the mysterious authors of his story while simultaneously bragging

that he has none for Jews.

Finally, SP affirms that no matter what anyone else says, he is always fair with everyone:

"I was born naked, and I'm naked now: I neither lose nor gain a thing."

This will be SP's mantra in part two.

Cervantes is preparing us for a serious examination of SP's character.

SP ends this already contradictory speech with a kind of paradox.

He will accept infamy if it grants him fame: "although, seeing myself now rendered in

books and passed about in the world from hand to hand, I don't care one fig: they can

say anything they want to about me."

At this, DQ launches into a labyrinthical speech of his own, focusing on famous examples

of SP's odd logic.

Here he is pushing the limits of a common rhetorical exercise practiced by humanist

scholars of the Renaissance.

He mentions that certain women at court were offended at being left out of a vicious satire

written about them.

He recalls Erostratus, who set fire to the temple of Diana just so he could be famous.

He mentions other figures who were daringly destructive, such as Caesar when he crossed

the Rubicon and Hernán Cortés, "that most courteous Cortés," when he burnt his ships

at Veracruz.

This is confusing, and quite funny.

DQ slips casually from clear examples of idiots to examples of men that many consider to be heroes.

Even more confusing, other exemplars mentioned by DQ do not at all fit the paradoxical notion

of doing something wrong for the sake of fame.

Rather, they express the opposite: simple, heroic self-sacrifice.

We have Horatius Cocles, who defended the oldest bridge of ancient Rome against invaders;

Gaius Mucius Scaevola, who put his hand in a fire when threatened with torture; and most

important of all, given DQ's own profession, Marcus Curtius, a classical knight who threw

himself and his horse into a "deep burning abyss" (profunda sima ardiente), which had

threatened to destroy Rome after an earthquake in 362 BC.

However, the most fascinating example involves Charles

V, who fashioned himself as a modern Caesar.

The Holy Roman Emperor made a triumphant visit to Rome in 1536 after conquering Tunis the

year before.

He wanted to visit the Roman Pantheon, known in the sixteenth century as Santa Maria della Rotonda.

This incredibly famous architectural wonder contains "a round skylight, which is at

its peak," that is, at the zenith (cima) of its dome, which is perfectly spherical,

or as DQ says, "shaped like half an orange."

According to DQ, the Emperor took a tour of this building and was standing on the dome

above this skylight looking down, after which his guide, "a Roman gentleman," made a

shocking confession: "A thousand times, Your Sacred Majesty, I have felt the urge

to embrace Your Majesty and then hurl myself down from that skylight, in order that my

fame should leave its eternal mark on the world."

The Emperor thanked him and ordered him to keep his distance.

But DQ ultimately rejects the desire for fame, and his words emphasize the importance of

not transgressing the limits of Christian morality: "Thus, O Sancho, our actions should

not transcend the limits placed upon us by the Christian religion that we profess."

A lesson for an anti-Semitic Old Christian squire?

That's all for now, we'll see each other in our next video.

For more infomation >> Lesson 21 - Sancho's political mantra - Duration: 6:46.

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Lesson 24 - The first encounter with Dulcinea - Duration: 5:53.

Hello, and welcome back again

The great comparative literature scholar Erich Auerbach wrote an important essay on chapter

ten in which he argued that it exhibits the essence of Cervantes's novel as a conflict

between fantasy and reality.

We notice a particular aspect of this conflict as SP goes off to find "the palaces or alcázares

of my lady."

Auerbach did not consider this cultural contrast between synonyms.

As SP heads toward El Toboso, he performs a private "soliloquy."

This is more than the kind of monologue that we might hear from Hamlet.

SP actually carries on a conversation with himself: "'Now, brother Sancho, let's

find out exactly where your grace is going.

Are you going to look for a certain ass that's been lost?'

'Absolutely not.'

'Well, then, what do you seek?'

'I am seeking –as if it were a simple thing to do– a princess, and in her the

sun of beauty and the rest of heaven above.'

'And where do you hope to find all this, Sancho?'

'Where?

Why, in the great city of El Toboso.'"

Cervantes is not just a master of dialogue, he is now a master of interior dialogue, which

reveals a character's hidden anxieties.

Why this particularly rare technique now?

What does it tell us about SP?

SP's immediate problem is how to find a woman who does not exist.

He decides to improvise, relying on his master's gullibility: "Being, then, crazy, which

he certainly is, and with the kind of craziness that takes some things for others and judges

white to be black and black to be white... it will not be all that difficult to make

him believe that a peasant woman, the first one I come across around here, is the lady Dulcinea."

Then he sees just what he needs: "when he got up to mount the gray, he saw that riding

out toward where he was from El Toboso were three peasant women on three jackasses, or

she-asses, for the author does not specify."

Two aspects of the description that follows should interest us.

First, there is much confusion about the sex of these women's mounts, which as Francisco

Rico notes, echoes the medieval debate over the sex of angels.

Second, the narrator makes excessive excuses about why this should not interest us.

Do we trust this narrator?

There is more wordplay regarding the women's asses.

When SP goes to inform his master that he has found Dulcinea, he mistakenly deploys

a biblical term, referring to the Canaanites of ancient Palestine, enemies of the Israelites:

"She and her damsels... come mounted atop three spotted Canaanite Trotters."

DQ corrects his confusion regarding the breed of Dulcinea's horses: "Arabian Canterers,

you must mean, Sancho."

SP then echoes the narrator's evasiveness: "There's little difference... between

Canaanites and Arabians; but, no matter what they're riding, they're the most beautiful

ladies one could ever wish to see."

What would Canaanites be doing in El Toboso?

Regardless, DQ is overjoyed.

Recalling the theme of SP's salary, DQ offers his squire the spoils of future conquests,

and then he adds a more realistic form of incentive: "I hereby grant you the best

spoils that I shall win in the first adventure I have, and if that does not satisfy you,

then I promise you the fillies that my three mares will give me this year, which, as you

know, are about to give birth on the commons of our town."

SP wisely accepts the fillies because "it is far from certain that the spoils of our

first adventure will be good."

Then again, just how good are horses raised on public lands likely to be?

Juan de Mariana's famous phrase comes to mind: "When an ass belongs to many, the wolves eat it."

That's all for now, we'll see each other in our next video.

For more infomation >> Lesson 24 - The first encounter with Dulcinea - Duration: 5:53.

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Lesson 9 - Cervantes and the definition of a good writer - Duration: 5:43.

Hello and welcome back again.

At this point, SP frames a fundamental debate about creative writing: "Miracles or no

miracles... each man should watch what he says or writes about presons and not put down

willy-nilly the first thing that pops into his noggin."

SP's idiomatic expressions and his inability to pronounce "persons" make his warning

sound casual, but it's not.

Whether or not novelists should use fantastic events to spice up their plots, to what degree

a character's speech should correspond to her social status, and just how spontaneous

an author should be while writing, are all major issues in Cervantes's day and even

our own.

An author's ability to coordinate the right mix of subplots while maintaining a coherent

and plausible main story was also hotly debated.

SP alludes to classical concepts, like Aristotle's insistence on the unities of action, time,

and place, or his emphasis on realism or mimesis.

Carrasco cuts to the

chase by bringing up the first of three major objections to the first part of the novel.

According to many readers, The Novel of the Curious Impertinent, the interpolated tale

of DQ 1.33-35, does not have anything to do with DQ's story.

This is huge!

Cervantes actually has characters discuss whether or not he is a bad writer.

Ironically and paradoxically, DQ's first reaction is to endorse the criticism: "the

author of my history was no wise man but an ignorant gossiper who, groping and without

any clear discourse, set himself to writing it."

Think about this: DQ has just called Cervantes an incoherent idiot.

Next he makes a harsh analogy between Cervantes's flimsy technique and that of a certain painter

from Úbeda who was so improvisational that he had to label his works.

After painting "Whatever comes out," the painter would write "This is a cock" beneath

what nobody could recognize as a cock.

Still, DQ's final comment suggests that Cervantes's readers will need help to comprehend

the true meaning of his art: "that must be how my history is: a commentary will be

needed to understand it."

You will forgive me if I have to agree.

Carrasco then gives us specific information regarding just who was reading Cervantes's

novel: "there's no antechamber in which a lord does not have his copy of Don Quijote."

Hmmm, apparently, the novel was read by an educated leisure class somewhere in between

the intelligentsia and the masses.

For those of us who read Don Quijote as a satire against the orthodoxy of ethnocentric

imperialists, Carrasco's subsequent praise of the novel sounds duplicitous: "in no

place does it contain even a hint of immodest language or a less than Catholic thought."

Moreover, when DQ agrees, he refers to the problem of monetary debasement that we saw

throughout DQ 1: "To write any other way... would not be to write truths, but lies, and

historians who avail themselves of lies ought to be burned like those who make counterfeit

money."

The heavy irony here is that DQ says that bad authors who produce lies for their readers

are as despicable as counterfeiters who extract wealth from their fellow citizens.

And for readers who realize that the Habsburg kings did this as much as anyone, Cervantes's

novel is neither simple nor harmless.

That's all for now, we'll see each other in the next vídeo

If you liked this video and want to continue learning more about the knight errant Don Quijote de la Mancha,

You can subscribe to our YouTube channel here.

Also, you can enroll in our free online course on Don Quijote by clicking here.

For more infomation >> Lesson 9 - Cervantes and the definition of a good writer - Duration: 5:43.

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¡WhatsApp te da 2 minutos para arrepentirte de tus mensajes! - Vlog 35 - Duration: 2:46.

For more infomation >> ¡WhatsApp te da 2 minutos para arrepentirte de tus mensajes! - Vlog 35 - Duration: 2:46.

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Lesson 27 - "My Lord, the Devil has made off with my gray" - Duration: 5:15.

Hello, and welcome back

The subsequent carnivalesque sequence is a very strange.

One of the troop, the figure of the fool or buffoon, taunts DQ and Rocinante: "one of

the company, who was dressed as a fool, wearing many bells and carrying a stick at the end

of which were three inflated cow bladders... approached Don Quijote and brandished the

stick like a sword, striking the ground with the bladders and leaping high into the air."

Startled, Rocinante "took off across the field."

SP gets off his ass to assist his master, but both the knight and Rocinante are already

flat on the ground.

Now the narrator describes the fool as "the dancing demon with the bladders," who then

steals SP's ass: "making him fly across the countryside toward the town where the

festival was to be held."

SP is traumatized: "every time he saw the bladders rise up in the air and fall down

on his gray's hind quarters he suffered the tortures and terrors of death, and he

would have rather seen those blows come down on the pupils of his own eyes than touch a

single hair of his ass's tail."

Now SP reports something different from what the narrator has been describing: "My Lord,

the Devil has made off with my gray."

DQ's response echoes our own confusion: "What devil?"

SP's clarification specifies just whom we are talking about: "The one with the bladders."

So the fool turns out to be the Devil?

The theft of SP's ass is never a simple matter.

As fate has it, "the Devil, having fallen off the gray in imitation of Don Quijote and

Rocinante, the Devil went on foot toward the town and the ass returned to his master."

Nevertheless, DQ promises revenge: "it would be well to avenge the transgression of that

Devil by punishing someone in the wagon, even if it's the Emperor Himself."

The troop is ready for him and prepare to shower

him with stones.

SP advises against the attack: "you should consider that there is more rashness than

courage in a single man attacking an army which has Death in it and emperors fighting

in person."

We might expect DQ to say something like "I am equal to a hundred."

Instead, he observes that since their enemies are not knights, it's up to SP to attack them.

SP refuses, using moral language: "There's no reason, my Lord... to take revenge on anybody,

since it's not right for good Christians to avenge affronts... my desire... is to live

peaceably all the days of life that heaven will bestow me."

DQ accepts this logic: "That being your decision... good Sancho, wise Sancho, Christian

Sancho, and sincere Sancho, let's leave these phantoms and return to seeking better

and more appropriate adventures."

The narrator agrees: "thanks be given to the salutary advice offered by Sancho Panza to his master."

That's all for now, we'll see each other in our next video.