Waching daily Sep 20 2018

● 2 eggs ● 150 g/5.3 oz natural yogurt or 150 ml/5.3 fl oz vegetable oil ● 2 tsp vanilla extract ● 300 g/10.5 oz sugar ● 1 cup grated and peeled zucchini (about 175 g/6 oz) ● 240 g/8.5 oz/2 cups all-purpose flour ● 1 full tsp baking powder ● ½ tsp table salt ● 2 full tsp cinnamon powder ● 250 g/9 oz fresh blueberries ● icing sugar to dust (optional)

Zucchini and blueberry cake

Turn on the oven (fan forced function)

At 350º F

Beat the eggs with a whip

Add the yogurt (or oil)

Vanilla extract

Sugar

Mix

Fold in the grated zucchini

Table salt

Flour

Baking powder

Cinnamon powder

Mix

Add the blueberries coated with flour

Fold them carefully

Generously grease a loaf pan

Transfer the batter to the prepared pan

Bake for 50 or 60 minutes or until a toothpick inserted in the center comes out clean

Let it cool for 20 minutes in the pan

Run a knife around the edges

Turn the cake onto a board

then onto the serving plate

Dust with icing sugar

Zucchini and blueberry cake

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Julio Manrique i T de Teatre: una comèdia sobre el dolor - Duration: 4:30.

What we did was making up four stories for four women,

and each of them is the protagonist of one of these stories.

Then we have four characters with their own jobs and problems.

We then joined them together, found links between them, and we came up with E.V.A.:

the name of the first woman in the Bible, which happens to be –and this was pure coincidence–

a tool used in medicine and pain treatment,

which stands for Visual Analogue Scale, and serves to measure the pain scale of a persona, from 1 to 10.

This is a tool used by many doctors, for example anaesthetists

to decide which anaesthetic needs to be applied to every patient,

as pain is a highly subjective issue, personal and non-transferable.

Pain also has an emotional factor, and we are theatre people and emotion is something very attractive to us,

and that's where E.V.A., a comedy about pain, is about.

- Listen, it itches a lot, doesn't it? - Yes... you can't begin to imagine. It's awful, I would pull off my skin and everything if I could

- But what is it? Some sort of an allergy? - I'm allergic to life!

And deep down, comedy is always about things that cause us pain, about things we lack, about things that we feel embarrassed about...

about things that hurt us one way or another, don't you think?

- OK, it looks as if you want to make things difficult. I thought you wine would relax you some...

- Look, Adam, I appreciate it and feel very comfortable with you...

- That you feel comfortable with me? What am I, a sofa, uh?

I also like to explain that this is a play about pain but, it is also about relationship.

Relationships of women of a certain age with people around them,

and how each of them copes with their relationships with others.

Because of this, people who have seen the play always feel identified with, at least, one of them, some situation, a character...

and this is good fun. Theatre has the power to do that, it serves as a mirror.

- You know, we've run out of quail eggs

- I was just gonna ask for them...

- You don't say... - No, just kidding

- Oh all right. It's my first day and I'm a bit...

- Nervous, it's just normal! - Sorry?

Being an actor is like going on an introspective journey, and that requires looking into it from a distance:

you have to step back in order to get a clear picture, the whole landscape.

Otherwise, you are within the mechanism, I don't know how to say it…

then you get different perspectives, which is very nice and enriching,

getting out of one and getting into another...

I have been directing for a while and then I start performing, I believe I have derived some benefit from having taken distance...

good things and a few bad things as well:

your camera is outside, the one that is sometimes the actor's enemy, as it shows you from from outside.

- Music moves me deeply... If I hear three or more people singing, I get easily moved.

I can't help it, can't control the feeling and sometimes it is a problem

- Is that so? - Yes, because I can't do yoga lessons, for example:

because, at the end, when we all have sing the Om, I start crying

Sometimes you can touch the sky with your fingertips... don't you think?, you don't touch anything...

But sometimes, wow, there is some communion with the audience and the story is strong enough,

and you have the feeling that you're connecting with the others, and you connect with yourself... and that's a great feeling.

But some days, it is quite the opposite, you just can't connect, and this is very frustrating and you hate yourself.

Other days, the last thing you want to do is being in front of anybody...

we all have days when we want to be invisible and, of course, being on stage is not the best way to disappear!