Welcome to a new project here in Art in Your Hands, for today I'm going to
share how to paint these eyes is for a doll an elf that I'm
already doing in other techniques I have taught how to make the fractionated
how to make the beards for this doll then now I will teach how
paint the expression of the eyes I'm not the more expert but I share with you what
I love so much, so I hope accompany all the step by step here in
your channel Arte en Tus Manos
good friends then to start this project what
first that we should have already is the head of the doll that we are going to make
the project as such here I already have this worked on a video
above is the step by step so that you learn to do it also from
this faccionados so far we have two this is the second one
we share then what can they learn here in the description I leave you the
link so that they learn to perform then with pencil let's see
how we want the eye shape to be of this gnome
then delineated well that is even I hope they are the same then
they choose how they want to perform if this is going to be ours for this
project here I have ready what are the paints to use white use
White in black and I will also use a
mustard color then those are the basic colors for this project to
paint are brushes here I have some oldies that sometimes indoors
because they do not leave them in water but if we need one that is new or that
it is very good very good condition because let's delineate and I need that this is
the end of the brush that the tip of the brush is very thin and allows the
stroke is very strong also a container with water a cloth for
download that is the first thing we should use or have to be able to do the
project we start with the color white
we started to apply at the bottom
always following the drawing that we make only the lime
these paintings that they are using are paintings for fabrics hundreds of make
it is much more resistant fixing It is also better
if it's going to continue through all that low part
following the drawing that I made
now we make the same process blank with the other eye while it is dry and
we can apply the other color then same with the fingers we can run from
soon so a little nose and always being careful not to stain the
fabric we start to apply the color
if we want it to be more accentuated that the white color is firm
example in this case we can wait for to dry and touch up the paint
good now that it has dried then the white color let's apply this
yellow mustard
which is going to be the color that goes in the eye center
it's the same process
we always follow the The Guide
what we have done while we are doing it we will be left then
we let the paint dry very well I did a little touch-up on the
white and in the yellow mustard color and I added a little more to make it more
sign the everything now what I'm going to do then it is to start painting the part
upper eye
I did the same process with the other eye and here I am
ending the extreme
I use the thinnest brush to be able that is as well as tip
and that's how the eye looks like now what we are going to start is to do
effects has already been delineated and effective and effects also of light is already I can
start explaining when you're completely dry the color black and
other parts that retouch on the white and in the mustard
well, it is completely dry we do as base paints now
I'm going to take the brush that I have the most old man to show them that he was more
deteriorated can do technique brush dry in the outline of the eye I'm going to
use a little brown, light brown I'm going to apply it
the brush but I'm going to unload the excess of paint here on it
in this towel
it's an old cloth and we have already been using a lot
let's download as much as we can of painting
and I almost painted myself and after doing that then now yes
let's start applying in the outline of the eyes
that's how to give
a different contrast or as a light different from the outline
Of the eye with a shadow
and soon they do not notice it much but there I was watching
so that it is not so even with the color of the fabric
I'm going to do an approach you can not see the doing as a shadow here
around the eye
so we're going to be all around the contour and same in the other
I always discard for more that does not apply you always have to download it
make the brush does not remain
with the paint
we already apply in the contour of the eyes like that you see a small shadow
we can also do it in this part of nose
the same shade
and we are also going to do it
in this part of the cheeks like to give it a little color
we can do it with this brown or also with a bit of pale pink
but that is giving you a pretty shadow
we can improve it anyway apply it also when we already have
beards or whiskers in movement
we make more tweaks we can also do it around the ears
so that with an aged to the fabric ready now after doing this in
brown color we will also take to make a part decoration
internal but we change brush now let's move on to using the brush
that more the one that is better towards the one it's new this is a zero number but the
end has a very long tip and finite then allow us to
make an outline I'm going to use a little bit of white and I'm going to
make some very delicate arms
vertically a few longer ones shorter to give you a little bit of
light
a little bit of excellent
so all over the ojito
the same thing I do with the other end of the other side
thus it gives an effect as of greater depth to what now I'm going to do what
same but with a little bit of black color we wash the brush the color black if
I apply from the bottom and I do the same strokes that I did with the
White
so that it is losing like the tonality and then I'm going to apply
again a little of the mustard color to degrade these two tones
I let it dry very well and now I apply new a little yellow mustard color
so that it gives us a degraded tone of white and black that gives like a little
as if it were shade when applied over they are as if these these lines
they are like shadows after it has dried a bit the
paint again took the color mustard and added
about what you do in white and black applied paint
and it gives us an effect
as degraded as
as if it were part of the painting yellow
I already teach you closely so that I see it
gives an effect as if the black and the white made part of the mustard color
of the eye without the mustard being erased what we do under him
and we are ready to do the same here and leave dry very well
good here as you can see then you put the yellow layer back
mustard and then makes it look like if it were in the same painting if not
it shows a lot you know how a shadow then it gives a very nice effect
now with the thinnest brush what I'm going to do is delineate
this part now do in this part I'm going to divide between black and mustard
with a little white
A) Yes
this gives a light effect and look how it is watching
I finish and do the same with the other
well then both eyes were left with the delineated between the mustard color
and black now what I'm going to say is what am I going to do with black and the outlined
in all those parts flip the piece that I am comfortable to do it and
I start to delineate
if at any time it is very thick line we can match them with the tone
in which we go with everything that we we have left
for example here yes for very thick the I let them dry and then applied a
little bit of white and that I left the line well done
You can always fix it with paint
where is the cheek I run it a bit with my fingers
look how it's going well let it dry a little
and ready from the way
the same thing I do in this line
let's separate this white from the tone mustard
see how you are doing when you read more depth the eye looks better
I worked here, I open with my fingers the fraction and very carefully
I introduce the brush so as not to stain the cloth
and so it is then this released what same I do with the other side
then delineated both eyes now I'm going to make some eyelashes
the same brush that is the thinnest
little black Y
and here is going to be the exit or very thin people
always the output will be the same
and the same thing I'm going to do on the other side be gentle
so very smooth we are not going to exaggerate that to Sometimes they are not so beautiful and what
we do is damage all the work that already we have done now let's do in
a little brush dry with the brush more and more old man the most expert
let's apply some black on it and we are going to explain a bit the black but
We are going to use our fast our canvas is something that we
help to download it
and let's apply again
in these areas but as it is almost dry the paint on the brush then
it does not remain as lines as lines perfect but it's going to be like a
shadow
a little black
the excess in paint
just as it happened bottom up
and that allows the color is not so basic
now I'm going to do the same effect of dry brush but white
applied the paint on the release fabric and the discharges that I remove the excess of
paint brush
Y bottom up
the same movement
solitude clarity today allows you to be alive much more beautiful
The expression
and if you see that clears up a little more that looks deeper
of the gnome
When you make a mistake, what you do is come back and apply all the tone let dry
and come back and start by saying like that painting technique
then we did it now what let's do is give it some color
some light let's apply
with the same brush
here
Y and with the brush is the thinnest
with which it is very thin we clean it well that we will not be left
cases of of another color the paint we apply a
little white
and I'm going to do it as a curved species
the same
and that gives more light to the look we can make another point
perestelo we do here in the middle
the same
and we do it in the other way
they are points of light
that make the expression look more pretty
this
and so we wish we can do a little bit longer
remember that even by these lines very thick we can fix them with the
black color we painted again a little and we remove the thickness
and smart I think we're done when they have one more detail to do
then they can apply it if they have greater knowledge and suddenly something of
what I did or teach them this technique it's helpful
was satisfied with you ready so I'm glad I made this
project is the first one I do so full I've always done a few more
simple in the previous projects but this project that I am
sharing that I have made several several techniques I wanted to share it with
you first perform at fractionated the other was the beards that
It also serves as a beard that serves as mustache or eyebrows and this is the
paint chair technique as for the expression of the eyes of the gaze of the
doll that I hope will serve you and what put into practice then we'll see you in
a next video here the Art in Tus Hands, lots of hugs for everyone, kisses
and thanks for the support remember to give us your likes
the video subscribe there on the button red that is free and remember that
molds of this all the projects that we perform them we share them in
the Arte en Tus Manos blog with Lili and Sam, until next video
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