Youtube invi: Waching daily Apr 29 2017

Hello little friends!

I just sequenced here in my studio

some classical music in the syle

Keygen music

Or chiptune

or 8 bit

you can call whatever you want

so take a look

Mozart would be proud of me!

don´t forget to subscribe to this channel

To see more videos like this! Bye!

For more infomation >> Classical Music in Keygen Version - ( 10 Classical Chiptunes ) - Duration: 6:24.

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Guess the k-pop song/Adivina la canción de k-pop | Blue Moon - Duration: 2:40.

For more infomation >> Guess the k-pop song/Adivina la canción de k-pop | Blue Moon - Duration: 2:40.

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MINERO VS LEÑADOR | RING DEL RAP | EM GI - Duration: 2:21.

For more infomation >> MINERO VS LEÑADOR | RING DEL RAP | EM GI - Duration: 2:21.

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Sandoval salva a Santos sobre la línea de gol, tras una gran jugada de Micolta - Duration: 0:53.

For more infomation >> Sandoval salva a Santos sobre la línea de gol, tras una gran jugada de Micolta - Duration: 0:53.

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How to Sew Art (Part 2 of 2) - SEWING WITH NANCY - Duration: 26:47.

Today on Sewing With Nancy we continue with the mini series

of "How to Sew Art"

starting with a photo, choosing fabric

and then following steps

to turn a common digital image into great wall art.

Welcome back Tammie Bowser

who is really an innovator in this industry.

She'll show us how to transform

basic, ordinary batik fabric into fine art.

Tammie, it's treat to have you here.

Nancy, during the first episode we detailed how to use

a digital image from your camera

to create a pattern.

In this second episode the magic happens

cutting and adding the fabric, plus stitching the design.

"How to Sew Art"

That's what's coming next on Sewing with Nancy.

Sewing with Nancy

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with Nancy Zieman is made possible by

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Amazing Designs and Klassé needles.

During the first episode of "How to Sew Art"

Tammie and I showed how to create the pattern.

The pattern we created is going to make

the picture of her granddaddy.

Now, we don't expect our viewers to do your granddaddy, right?

Of course not.

We have a free trial for them of my software

they can download and do their own pictures.

So you can put in your own picture.

We're going to give you a review

of how we got to where we are today

but before that let's show you

some others of the great works of art that you've created.

The Trombone is one of my favorites.

It is, it was actually the first one

when I came up with this technique.

That's when I knew I had something magical.

And there are only how many fabrics in that quilt?

It says 12.

12 fabrics, it looks like 90, don't you think?

But it's not.

And then The Trumpet is not a person.

Most of your designs include people.

This is an inanimate object, and it's striking.

Yes, and what I like about this one

is that I had a lot of background space

which I usually don't have

so I start playing around with the stitching and texture.

So that's really awesome.

The bass player, the name of that piece is "Joyful."

Yes, it's "Joyful" because you can see

the joy in his face.

And it's really awesome that you can capture that emotion

in the fabric.

It's amazing.

So to work with any art design with the batik fabrics

you're going to start with an image.

The granddaddy image was one of his press shots

when he was an actor.

Yes.

And what a fun shot.

Let me get the glare off of there.

But it's a big image.

Yes, it is a big image.

We learned how to crop the image

and just take the most important part

which is his face and his shoulders

and make a nice portrait.

Here you can see how it's been cropped.

This is what Tammie was talking about.

At howtosewart.com you can get the software

to play around with

and then you adjust it to make a pattern.

Yes, you adjust it by

first of all you can crop to whatever

portion of the picture you want

and you can decide how many fabrics you want to use.

For this technique we use somewhere between six and 12.

And on the left side of the software

there's a little nob and you can--

There's a little slider that will let you choose.

And then you also smooth those pixels out

with the shape smoothing slider.

That will take away all those little pieces

and merge them into bigger pieces.

It's really fascinating.

And then you hit 'print'.

For this instance there were nine 8-1/2" by 11"

sheets of paper printed out.

I'm just going to show you

where this falls on the picture

it's in the upper left-hand corner.

I think you can kind of see how the hair continues

and the background is there.

And all those little dots are numbers

they're numbers one through six

because you chose to have six fabrics.

You'll see that in a minute.

Then you tile this together.

Yes, and you'll notice it says rows and columns.

It has a little numbers for the rows and columns

right on top.

That's to help you put it in order

tape it back together the right way.

Doesn't it look fun?

Like a cross-stitch

but it's going to be a lot faster.

And then, if you watch the first program

at nancyzieman.com, if you missed it

you'll see how to create a fusible web and parchment paper.

And then, Tammie, you've kind of smoothed--

Excuse me, smoothed out some of the lines.

Yes.

We were able to determine, since we're going to

simplify that background, we found the edge

of his hair and his shoulder

so that we can make this one big piece and simplify

and make it simple.

Then the fabrics, Tammie has a

great way of auditioning fabrics

so that you get six fabrics, light to dark

and they aren't going to be all mediums and all lights.

They're going to be light to dark.

And we auditioned and we used this value isolation tool.

You can see clearly

if the fabrics are lighter or darker

by just comparing them when you--

It's like going to the optometrist and saying

do you like A or B? B or C?

Exactly.

So we're giving you the little condensed version

of how we got to where we are right now

but this is where we ended up

in our first episode.

Now we'll set up the table to start making new magic.

In addition to printing out the tile pattern

the computer program will also print out

this value chart of one through six

light to dark.

You can see that Tammie has attached the six fabrics

that coincide with the numbers.

That's what's going to work with the pattern.

So you're going to work with fabric number five

I'm going to work with fabric number one.

First of all, let Tammie show you how this works.

This is quite phenomenal.

Remember, we found in the first episode

I showed you how to put together

this sandwich of fusible web.

It starts with a layer of parchment paper

and then we have a layer of fusible web

that has been sprayed with basting spray.

So it's sticky.

That's important, because it holds the fabric in place

and we'll never cut this.

Then there's the pattern underneath.

You can see right through the parchment paper

and right through the web

to see the pattern right through it.

So you're going to start from the outer edge

and trace a piece around your--

Yes.

You start from the edge.

I'm using a red pen so that you can see what I'm doing.

You just trace the first piece.

And this is fabric number five.

Then you peel the paper back.

Remember, you never, ever cut this web.

It's what's going to hold all the pieces together.

I'm cutting the--

I'm pulling back the paper.

It'll be easier to do

when you're not doing it upside down, right?

Yeah.

It's easy to do.

I'll move over here a little bit.

And you don't have to be super exact.

I mean, you follow the numbers

but if you go off the line a little bit--

I'll do it up this way so I can see.

Just cut it off and it'll be fine.

What if we tilted it this way?

Yeah, looking at it backwards too works.

Yeah, there you go.

Yeah, perfect.

And since this piece is a little bit big

I put it on, this is fabric number five.

You can see that it's fabric number five there.

I use a couple of straight pins

to pin it right to the paper.

This paper becomes my pattern piece.

I'm just putting in a few pins so it doesn't move.

This becomes really important when you have a piece that's--

This one is a pretty easy shape, kind of a rectangle.

But if it's a really weird shape

you just put more pins to keep it from moving around.

Yeah, so you can get the curves and the contours that are there.

If it's a really strange shape

you want to make sure you maintain that shape.

Then you just cut around the edge

leaving 1/8" or 1/16", just slightly bigger.

Again, you don't have to stress out

or be too worried about getting it wrong.

There's almost no way to get it wrong.

We've done all the prep already

so it's pretty guaranteed to be right.

And you know, Tammie's a really laid back person

and she takes it one step at a time.

I saw this whole thing and I thought

how am I going to get it all done?

Well, you just take it a little bit at a time

and really you can accomplish a lot.

After she gets this cut out then it will stick

to the tacky part of the fusible web.

We're almost there.

It's one big chunk of fabric that's done.

There we go.

That's the piece.

We take the pins out.

You have right sides up.

Yup, right-side up.

You don't have to remember to do some turning

of something upside down.

And then the paper becomes trash.

Then you put the fabric right in that spot.

You know exactly where it goes because--

And it sticks.

It sticks.

Now in this opposite corner

I've traced out one section.

They were almost all number ones.

This is of his collar.

Then I can place that right here.

And you're not having it exact.

An 1/8", 1/16" of an inch or whatever

we can lift this up a little bit

so we get it on the webbing.

But you can see how that positions into place.

Then you could do a big section

of his shirt collar over here

and just keep cutting and marking.

Let's go to the other one

and show them how to cut a small piece.

Because, you know, you might guess, we have a sample.

Of course.

We kept going, didn't want to make you wait.

So you can see how the magic is happening

piece by piece by piece.

But when you get into the face

you keep a lot of the detail.

You don't make big collars or whatever.

Yeah, you keep all the detail

and another thing, if there's

a bunch of little pieces that are the same number

and they're lined up next to each other

you can group them together, make it one bigger piece.

Let me see if I can show you.

See, right here it might look like

there's a bunch of little pieces

but really it's one big piece.

So you just make that one piece

cut it out.

Here's a number five that's been cut out.

You'd stick it on the fabric as Tammie's going to do.

There you really don't even have to--

It's small, so you can just hold it with your finger.

With the big one I wanted to show you

how to do a big one and use the pins.

Or if it's small, like this one

you could just hold it with your fingers.

Okay.

And I'm just cutting it slightly bigger.

And work on it a little bit at a time.

You don't have to do it all in one sitting.

Nope.

This is something that you do while you're relaxing.

If you're normally a little high-strung

and stress yourself out

this is a time when you learn to take it easy and relax

and follow the plan.

Just add piece by piece.

I hope you can see how the process is done on this quilt.

The next thing we do

after filling in all the images

is to do the stitching.

After all the pieces

have been positioned on the fusible web

it's time to separate the fusible web

from the paper backing.

Now, I know, we didn't get this all completed.

But I know Tammie

will finish that after the taping of the program.

Here you can see that we can just

peel away the paper backing.

Or excuse me, the web from the pattern.

Then, Tammie, on the design that

you're going to do the stitching

you've already backed it with batting and backing fabric.

Yes.

After peeling off that pattern off the back

I just put the whole webbing

and the fabric that's attached

right on top of the batting and iron it down.

You fuse it in place so it doesn't move.

Now the stitching is going to be free-motion stitching

so you're going to lower the feed dogs

drop them or cover them depending upon your machine.

Place a quilting, a free motion foot

on you machine, and then choose threads.

These are variegated threads

much like the batik fabrics we worked with.

Choose variegated threads in light, medium and dark

and do a little auditioning before you do the stitching.

Let me peel this back to show you.

In this corner we have a medium color.

Just unwind some of the threads

lay it on the fabric to see if it blends.

You don't want to change the value of the fabric

you just want to enhance it.

So use the variegated thread.

Cotton works really well for this instance.

Then you're going to let some of the magic happen

to liven up the fabric that hasn't been stitched.

Okay.

When you start stitching

I have a medium here so I'm going to stitch

on this medium fabric.

I'll pick an area and just surround it.

That's how, in the quilt of the granddaughters

you see the girl's face in the back

because I followed the shapes.

That made the picture show up in the thread too.

I'll start off by encircling the outside

and then I kind of scribble or do some sort of

repeating shape on the inside

of that outlined area.

I also like doing little circles too.

I'll show you that in just a second.

After you keep each section you might even do

a different design.

At the end it looks like you did a whole lot of fancy things

but really it feels like you're doodling.

There's nothing wrong with doodling.

No, I like doodling, myself.

So I did that whole little section

just that quick.

My suggestion, if you're nervous about free motion

just practice for a little while

and get comfortable with your machine.

Make yourself comfortable

and whatever you do just do a lot of it.

If you have a little crooked line

and you just have one crooked line

it's just going to look like a crooked line

but if you have 100 of them

it's going to look like you're a genius.

[laughter]

And that you are.

Now Tammie mentioned the granddaughters art quilt.

Here you can see it again.

The image of Avery and Luella

cute little girls, of course.

Then I'd like to show you

how she followed

when doing the stitching

the image itself.

Now here's a close-up.

You get the whole image further away

but as you get closer up you can see the detail

of how she stippled around the edges

and then used different colors of thread.

And as we turn to the wrong side

you can see the face come alive again.

So not only do you have

an image on the right side

but you have an image on the wrong side.

So you can see, you just follow the fabric

that has been cut out.

Now if we look

at the image of Duke Ellington

this is really a pretty amazing scene.

There it is on the right side

and then, Tammie

you did some changes with the bobbin thread.

Yes, I changed the bobbin thread

with the top thread

and I was surprised to turn it over

and figure out that the picture

showed up in the thread on the back.

Not that you're going to see this

but this is just kind of a surprise image.

It's sort of a little special surprise.

But there's more than just stippling

that you have embellished with your quilts.

Yes.

Sometimes I like to add a little bit of sparkle.

Here's some--

Metallic fibers.

Yeah, metallic fibers are really beautiful

and they come in lots of colors.

I picked this nice dark one

to go with the flower.

The way I use it is

just break off a little bit

and just sprinkle it

wherever I want the sparkle.

I'll do that.

And then I'll just do the free motion

right on top

and let the stitching catch it.

I'm going to do some little spirals.

The stitching just holds it down.

Here's a finished image of B.B. King.

You're uncle was a professional photographer

and did this image.

Here I have the image, or the actual quilt

and you can see

that the metallic fibers

have been added in this area

just a little glitz, a touch of sparkle.

It adds such interest to this area.

But you have to have a little concern

about that when pressing, correct?

Yes.

It kind of melts, so you don't iron on it.

That's the very, very last step

before you do the binding.

It adds a lot of interest and brings focus

if you want something to be the center of attention.

Sure, of course.

Now speaking of binding, you have about the simplest

binding technique I have ever seen.

Yes.

It's okay not to bind.

To bind or not to bind.

Who needs all those rules?

You could just not bind it.

So on the granddaughters quilt

the edges have just been cut and stitched.

You could secure stitch around the edge

but that's it.

Then you could add a sleeve to the back

so it could be hung in a very traditional way.

So that's one way

of really not finishing it.

This is a raw edge appliqué.

It's okay to do this very untraditionally.

Then on the Duke Ellington quilt

you just stitched a binding to the fabric

and brought it to the wrong side

and hand stitched it into place.

So that you do not have a traditional binding

like we put on, cut a strip 2-1/2"

and do all fancy stitching.

This just brings it to the back

stitch it, and Wow.

That's it.

It makes it clean--

like a painting with no edge at all.

Tammie, I want to thank you for your inspiration.

I am going to create one of these.

You gave me the ways of doing it.

I know our audience will be encouraged to do it too.

Thanks for being with us.

Thank you.

I'm pleased to have been able to teach you today.

And you too can make art

with all these step by steps

and enjoy the process.

When you think of sewing or quilting

I'm sure some of the first thoughts, of course

are fabric, needle and thread that come to mind.

Well, how about adding the noun 'song.'

With me today is

folk artist, performer, songwriter, Lil' Rev

who has a special song in his heart

for those of us who sew and quilt.

Welcome back to Sewing With Nancy, Rev.

Yeah, it's good to be back.

You know, we had great comments

the last time you were on.

It was fun being serenaded.

So here you are, back again to sing some more

of your historical songs that include quilting.

I'm going to start out with one called

"The Quilter's Shanty."

If you can image, oh, about 100 ladies

at a quilting guild singing along

your viewers can join us.

Their part will be to say

"these hand are made for quilting."

Okay, sing with me so I'm not the only one.

Okay, here we go.

Here we go.

♪ ♪

♪ Oh, hand me down ♪ ♪ My needle and thread ♪