Come on, Misi, help me make a witty intro in this lazy morning.
"Dude hooman leave me you're stressing me out"
Who's a pretty cat? I grab your leg...
I grab your leg! Ah, it kicks back!
Hi people! Today we won't talk about fantasy
or horror books, nor rabid fish invading Tokyo. Today will be about
a contemporary fiction novel,
and though it has a little magical element in the beginning of the story,
the rest is totally realistic. Today's book is OLEANDER GIRL by Chitra Banerjee Divakaruni.
Chitra Banerjee Divakaruni. Sounds French, aye /s
I read this book on kindle, so I don't have
a physical copy here. This is the synopsis from Amazon:
"Despite being parentless from birth, stubborn girl Korobi Roy has enjoyed
a privileged childhood in a beautiful Kolkatan mansion in ruins, but
she's always been concerned about the silence surrounding the circumstances of her parents'
deaths, and she holds onto their only legacy: the love letter she once found
hidden inside one of her mother's books. As she grows up, Korobi wishes
to find someday a love as powerful as the one her parents shared.
However, when this love becomes reality,
Korobi unveils a devastating secret about her own past, which makes her
start a fearless search of her identity across the USA and, in doing so, she
must face the hardest decision of her life." The story begins like this:
Korobi is a young woman who's lived her whole life in Kolkata with
her grandparents, and her grandpa is a strict,
square-minded man. Everyone does as he says, period.
Her grandma is a traditional woman, submissive; her husband speaks and she
obeys, as it tends to be in old-fashioned families of some of these cultures
(well, and in our own, if we go back a few years)
Korobi and her grandpa have a big
argument that snowballs into a traumatic event for Korobi.
Also, one night Korobi dreamt about her mother's ghost,
who pointed her hand beyond the ocean, towards America, and this leads Korobi to
have a conversation with her grandma. She'll then decide to go to America
in search of the truth about their parents. In order to know who her father is,
what happened to her mother, why she fought Korobi's grandpa...
There are a lot of "whys" in this story.
Korobi's inlaws are not happy when they hear about her upcoming journey.
"Where are you going? People are crazy in the USA, they'll make you ill-behaved and slutty and blablah."
But she insists on postponing the wedding until she can close this
chapter of her life. Hence the story tells us about
what happens to Korobi in USA, and the events taking place in the India she's
left behind temporarily: the stories of her fiancé and his family.
This book has it all: a girl going to America in search of her
father's identity, going as far as hiring detectives, having cultural shock and
discovering dark secrets about her inlaws' employees in America.
Then, back at India, we have the fiancé
trying to pull the weight of the family business while dealing with
the laborers, who go on strike and are quite angry, as his father is
absent. His mother, who trusts nobody. Then we have
the fiance's little sister, a ten-years-old girl
who's befriended the family's chauffeur, who's obviously from
a lower social status. And the chauffeur will
be pressured by the zealots among the laborers, who try to convince him
to betray the family he's working for.
And there are quarrels between muslims and hindus, who must be
separated at the workshop in order to avoid bloodshed...
We have the fiancé's ex-girlfriend, a mean-spirited harlot
who just couldn't wait for Korobi's departure to try and get her man back...
Nevertheless, all these characters feel deeply human
and you come to understand them.
The good thing about this books is that there are no villains in it, only
people with clashing desires. Okay, there are bad people, but
they're not bad just because; but people who've been through circumstances, with
different personalities, and all of this together makes them act one way or another.
And I appreciate that, it's very nice, because it feels quite realistic.
Besides, Miss Chitra
weaves it all beautifully, in such a way that all these little pieces of
characters and subplots converge,
and the final result comes out neat and whole. Each one of them adds
a unique perspective to the events of this novel. I may not be explaining myself well;
I just mean to say that there's no filling at all, that every subplot
adds to the main story, and that it all makes for a pretty, complete book.
You'll read this novel in a blink, so easy it is. A story for everyone. I'd recommend it
to anybody. It has a bit of everything!
That's all for today.
I hope the book sparked your interest and, if not, I'll bring a different one next week.
Thank you so much for watching me one week more and see you next time!
Bye-bye! :D
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