Waching daily Jun 27 2018

Hello, do you want to learn how to make these cute things to present someone dear,

to have an extra income or to decorate your kitchen? So, come learn with me.

I'm Regina Stein, from Ateliê MariaRê and we'll learn today how to make this sheep.

MATERIAL

To make the cow, we'll need the Bella Arte's thread on colors 377

704,

and 2, which is the white color. We'll also need the Bella's thread on the colors

204, 2393 and 612.

We'll need 4mm and 2.5mm needles.

Darning and embroidery needle. Eyes with 13mm safety locks.

We'll need around 40cm of 1.5cm wide tape. Fabric paint in pink color and brush.

Glacê Chain's thread in black color, 12cm diameter acrylic ring.

A scissor. And silicone fiber for filling.

HEAD

Let's start with the pink thread by making a magic ring.

We've fastened the thread, inside this ring we'll make six single crochets.

After that, we'll close the ring

and the first row is done, we've six stitches. Now, we'll make the second row, it'll all

be made in increases, we'll make six increases and by the end of the second

row, we'll have 12 stitches.

So, we'll make the first increase and put a row's marker before it.

And we'll keep making an increase over each stitch until the end of the row.

We've reached the end of the second row, we've 12 stitches.

We've already fasten the thread here below the stitches, so, we can cut it.

Now, let's make the third row. It'll have a sequence of a single crochet followed by an increase,

we'll repeat this sequence six times and, by the end of the third row, we'll have 18 stitches.

So, let's make a single crochet,

put a marker before it,

and, then, an increase.

Remembering, an increase are two stitches in the same space.

So, let's keep going with the sequence, a single crochet.

In the next space, an increase. A single crochet again.

In the next space, an increase.

Let's keep going with this sequence until the end of the row.

Now, let's make the fourth row, it'll have a sequence of two single crochets followed

by an increase, we'll repeat this sequence six times and, by the end

of the fourth row, we'll have 24 stitches.

So, let's make a stitch, put the marker before it

and another stitch. Afterwards, an increase.

Two single crochets again.

An increase.

Once more, two single crochets, one in each space.

Afterwards, an increase.

Let's repeat this sequence until the end of the row. The next row will be the fifth,

it'll have a sequence of three single crochets followed by an increase,

let's repeat this sequence six times and, by the end of the fifth row, we'll have 30 stitches.

So, we've made the first stitch, we've put the marker before it.

It'll be three stitches on our sequence

and, then, an increase.

Again, three stitches.

Then, an increase.

We'll repeat this sequence until the end of the row.

We'll make the sixth row, it'll have a sequence of four single crochets followed by an increase,

we'll repeat this sequence six times and, by the end of the sixth row, we'll have 36 stitches.

Let's make four stitches.

Then, an increase.

Once more, four stitches, one in each space.

In the next space, an increase.

Let's repeat this sequence until the end of the row.

The next row will be the seventh, it'll have a sequence of five single crochets

followed by an increase, we'll repeat this sequence six times

and, by the end of the seventh row, we'll have 42 stitches.

Let's make, then, five single crochets, one in each space.

In the next space, an increase.

Once more, five single crochets.

In the next space, an increase. Let's repeat this sequence until the end of the row.

Now, let's make, the eighth row, it'll have a sequence of six single crochets

followed by an increase, we'll repeat this sequence six times

and, by the end of the eighth row, we'll have 48 stitches.

Now, we'll make the first stitch, put the marker before it and we'll complete the six stitches.

Then, we'll make an increase.

Once more, let's make six single crochets.

Then, an increase.

Let's repeat this sequence until the end of the row. The next row we'll be the ninth,

we'll start making 15 single crochets.

Then, we'll make an increase.

Now, 23 single crochets.

Then, one more increase.

And eight single crochets.

The next row will be the tenth, we'll make 16 single crochets.

So, we'll put the marker before the first stitch and we'll complete the 16 stitches.

Then, an increase.

Now, we'll make 24 single crochets.

And another increase.

Then, eight single crochets.

We've reached the end of the tenth row and we've 52 stitches.

On the next rows, from the eleventh until the thirteenth, we'll keep these 52 stitches,

we won't make increases nor decreases, and we'll make a single crochet over each stitch.

Let's keep going on like this, so, until the end of the thirteenth row.

Now, let's make the fourteenth row and let's also change the thread,

let's move to the white thread. So, the thread is already cut.

Let's hold the white thread here, this is the last stitch of the thirteenth row

that we won't complete. We'll finish this stitch already with the white thread.

So, let's pass the thread through here

and finish the stitch.

And let's start, then, the fourteenth row. We'll make 16 single crochets.

Then, a decrease.

Now, we'll make 24 single crochets.

Then, a decrease.

Let's grab the first front handle from this stitch,

the front handle of the second stitch,

let's pass the thread through them

and, then, once more. Now, we'll make eight single crochets.

Since we've already fasten the thread behind here, we can cut it.

And we will, now, make the fifteenth row.

Let's start by making 15 single crochets.

Then, we'll make a decrease. Let's grab the front handle of the next stitch,

the front handle of the other stitch, pass the thread through them and through them.

No, we'll make 23 single crochets.

Then, another decrease.

And eight more single crochets.

We've reached the end of the fifteenth row and we've 48 stitches. The next row,

which will be the sixteenth row, will only be made in single crochets, we won't make increases

nor decreases, and we'll keep the 48 stitches. We'll make a stitch over each stitch.

Let's keep going on like this, then, until the end of the row. Now, we'll make

the seventeenth row, it'll have a sequence of six single crochets followed by a decrease,

we'll repeat this sequence six times and, by the end of the seventeenth row, we'll have 42 stitches.

So, we'll make six single crochets.

Then, a decrease.

Again, six single crochets.

And a decrease.

Let's repeat this sequence until the end of the row.

We've finished the seventeenth row and we've 42 stitches.

On the next row, which will be the eighteenth, we'll keep these 42 stitches,

we won't make increases nor decreases, and we'll make just a single crochet over each stitch.

We'll keep going on like this, so, until the end of this row. The next row will be

the nineteenth, we'll make a sequence of five single crochets followed by a decrease,

let's repeat this sequence six times and, by the end of the nineteenth row,

we'll have 36 stitches.

So, let's make five single crochets.

A decrease.

Five single crochets.

A decrease.

Let's keep going on like this until the end of the row.

We've reached the end of the nineteenth row, we've 36 stitches.

Now, let's make the twentieth row, it won't have increases nor decreases, we'll keep

the 36 stitches and we'll make just a single crochet over each stitch on the previous row.

Let's keep going on like this until the end of the row.

We've finished the twentieth row, we'll make the twenty-first row, it'll have a sequence

of four single crochets followed by a decrease, we'll repeat this sequence six times

and, by the end of the twenty-first row, we'll have 30 stitches.

So, we'll make four single crochets.

Then, a decrease.

Again, four single crochets.

And a decrease.

Let's repeat this sequence until the end of the row.

We've reached the end of the twenty-first row, we've 30 stitches. On the next row,

which will be the twenty-second, we'll keep the 30 stitches, we won't make

increases nor decreases, and we'll make just a single crochet over each stich

until the end of the row.

We've reached the end of the twenty-second row and, at this point of our work,

we'll put the eyes and make the eyelashes. We will, then, find the center

of our head. Here is the last stitch made, here is the opposite side.

And we'll put the eyes between the sixteenth and seventeenth row.

This is the fourteenth, fifteenth, and sixteenth. The eyes will be on this row here,

so we'll mark, here is the center.

And the needle goes on the row where the eyes are going to be on. They will be separated

by five holes, so, let's count, one, two, three and put the eye here.

Now, we can turn it around and count the five holes. One, two, three, four, five,

at the sixth, we'll put the other eye.

Now, we'll put the latches, we'll turn it inside out.

Put the latch here.

Hold it still with the nails on the upside and with the thumbs below. And press it.

The first eye is put, now, let's put the other latch. Now we'll make the eyelashes.

Let's grab a Corrente Glacê's thread,

let's fold it and fold it again, in a way that there are four threads here.

Now, we'll pass these threads through a needle.

Here at the end, we'll tie a knot.

Like this. Now, we'll get the head and we'll pass this thread behind the eye, through here.

The needle will go out by this side.

Right at the eye's edge, but it's important that the needle pass inside the stitch

so that the knot stay still, otherwise the thread will pass straight here.

And it's done, now, we'll cut this thread.

It's done the first eyelashes' tuff, we'll make one more.

Again, let's pass four threads through the needle and make a knot at the tip,

and we'll insert this thread right at the base of these other eyelashes here,

always getting inside the stitch so that the knot gets fasten and doesn't get loose.

And let's exit here with the other eyelashes that we made.

Now, just cut.

These eyelashes can be the size you want.

And they're done. Let's make the eyelash of this other eye in the same way.

The eyelashes are done, let's keep going then with our work. The next row will be

the twenty-third row, it'll have a sequence of three single crochets followed by a decrease,

let's repeat this sequence six times and, by the end of the twenty-third row, we'll have 24 stitches.

So, let's make the first stitch, put the marker before it,

let's finish up the three stitches.

Make a decrease.

Again, three stitches.

And a decrease.

Let's go on like this until the end of this row. The next row will be the twenty-fourth,

it'll have a sequence of two single crochets followed by a decrease,

let's repeat this sequence six times and, by the end of the twenty-fourth row,

we'll have 18 stitches.

So, let's make two single crochets.

Then, a decrease.

Again, two stitches.

A decrease. Let's keep going on like this until the end of the row.

Now, let's fill the head. Let's keep putting the filling in small portions

and let's spread it inside the head with the aid of the fingers.

This head shouldn't get too full, otherwise, we won't be able to leave it against the wall

to give a support for the dish cloth or for the towel.

So, it has to be leaning against the wall, straight up.

We'll lightly fill it up.

So, let's spread well the filling and let's keep going with the crochet.

The head is filled, now let's make the twenty-fifth row, it'll have a sequence of a single crochet

followed by a decrease, we'll repeat this sequence six times and, by the end of the

twenty-fifth row, we'll have 12 stitches.

So, let's make a single crochet.

We'll put the marker before it.

And, then, let's make a decrease.

Once more, a single crochet.

A decrease.

Let's keep going on with this sequence until the end of the row. The next row

will be the twenty-sixth and it's also the head's last row. It'll be formed only by decreases,

we'll make six decreases and, by the end of the twenty-sixth row, we'll have six stitches.

So, we've made the first decrease, let's put the marker before it.

Let's keep going on making decreases until the end of the row.

We're reaching the end, let's tie it up with a slip stitch.

The thread is already cut and let's pull.

Now, we'll pass this thread through a darning needle and let's frown this opening.

Now, let's pass the needle through the front handles of all the stitches of the last row.

After that, we'll carefully pull it and the opening is closed.

Now, we'll go back with the needle under these same stitches,

in a way that the thread gets fastened.

Then, we'll leave it at any place on the head.

And let's cut the thread.

Let's flatter well this head so that the filling goes up there as well.

The head is done.

Now, let's make the ears.

EARS

One of our cow's ears is two-colored, and this is the one that we'll make now.

We'll start with the white thread, let's make a magic ring and, inside this ring,

we'll make six single crochets. Then, I've fastened the thread,

let's make six single crochets.

After that, we'll close the ring.

It's done the first row, we've six stitches. On the next row, which will be the second row,

we'll only make increases. We'll make six increases and, by the end of the second row,

we'll have 12 stitches.

So, let's make here the first increase

and let's put a marker before it.

And we'll keep going on making an increase over each stitch until the end of the row.

We've completed the second row, the thread is fastened back here, we can cut it.

And, now, let's make the third row. It'll have a sequence of a single crochet

followed by an increase, we'll repeat this sequence six times and, by the end

of the third row, we'll have 18 stitches.

So, we've made the first stitch, then, an increase.

Again, a single crochet.

And an increase.

We'll keep going on with this sequence until the end of the row.

The next row, which will be the fourth, will have a sequence of two single crochets

followed by an increase, we'll repeat this sequence six times and,

by the end of the fourth row, we'll have 24 stitches. So, let's make two stitches.

And an increase.

Two stitches again.

And an increase.

Let's repeat this sequence until the end of the row. We've finished the fourth row,

we've 24 stitches. On the next rows, from the fifth until the seventh,

we won't make increases nor decreases. We'll make a single crochet over

each stitch and we'll keep the 24 stitches.

So, let's keep going on like this until the end of the seventh row.

We've reached the end of the seventh row, now we'll change the thread's color.

We'll start working with the brown thread. So, this is the last stitch of the seventh row,

we won't close it, we won't finish it. We'll lean the brown thread here

and we'll close this stitch with the brown thread.

So, just pass it inside the handles, pull the thread here.

Now, let's make the eighth row with the brown thread.

It won't have increases nor decreases, we'll just make single crochets.

A single crochet over each stitch and we'll keep the 24 stitches that we already had.

So, let's keep going on like this until the end of the eighth row.

We've finished, then, the eighth row.

The threads are already fastened here, we can cut them.

Now, we'll make the ninth row. It'll have a sequence of two single crochets followed by a decrease.

We'll repeat this sequence six times and, by the end of the ninth row, we'll have 18 stitches.

So, let's make the first stitch and let's put the marker before it.

Let's make the second stitch and, then, a decrease.

Again, two single crochets.

Then, a decrease.

Let's keep going on with this sequence until the end of the row. We've finished

the ninth row and we've 18 stitches, our next row will be the tenth.

It won't have increases nor decreases, we'll only make single crochets

over single crochets until the end of the row and we'll keep these 18 stitches.

Let's keep going on with this sequence until the end of the tenth row.

The next row, which will be the eleventh, will have a sequence of a single crochet

followed by a decrease, we'll repeat this sequence six times. By the end of the

eleventh row, we'll have 12 stitches.

So, let's make a single crochet.

Then, a decrease.

Again, a single crochet,

a decrease. Let's keep going on with this sequence until the end of the row.

We've finished the eleventh row and we've 12 stitches. The next row,

which will be the twelfth, won't have increases nor decreases, we'll keep these 12 stitches

and we'll make just a single crochet over each stitch from the previous row.

So, let's keep going on with this sequence until the end of the row.

We've completed the twelfth row, we'll make now the thirteenth row which is

also the ear's last row. It'll all be made in decreases, we'll make six decreases.

And by the end of the thirteenth row, we'll have six stitches.

So, let's make the first decrease

and put a marker before it.

One more decrease

and we'll keep going on like this until the end of the row. We've reached the end of the row,

the thread is already cut with some leftovers so that we can sew this ear on the head,

we'll tie up the thread with a slip stitch

like this.

Now, we'll pass this thread through a darning needle to close this opening.

This ear doesn't have filling, it stays empty like this, so we'll close the opening

with just with some stitches.

Let's completely close it first, then we'll will fold this ear

and we'll make some stitches here to leave it folded.

Like this.

Let's tie it up.

And save the ear. Let's make the other ear in the same way, the only difference

is that we won't thread's color. We'll make the next ear all in white.

Both ears are done, we'll save them and make the horns.

HORNS

With the brown thread, we'll make a magic ring,

we'll fast the thread, and inside this ring we'll make six single crochets.

After that, let's pull the ring and close it.

And it's done the first row, we've six stitches.

Now, let's make the second row. It'll have a sequence of a single crochet followed

by an increase. We'll repeat this sequence three times and, by

the end of the second row, we'll have nine stitches.

So, let's make a single crochet,

let's put a marker before it

and, then, let's make an increase.

Once more, a single crochet,

then,

an increase.

Lastly, a single crochet

and an increase.

The thread is fastened back here, we can cut here.

We've finished, then, the second row and we've nine stitches. On the next rows,

from the third until the fifth, we'll keep these nine stitches.

We'll only make single crochets over single crochets, we won't make increases nor decreases.

So, we'll keep going on like this until the end of the fifth row.

We've completed the fifth row, it's the last row of the horn.

The thread is already cut, we'll tie it up with a slip stitch.

This thread has to have some leftover because we'll use it to sew the horn on the head.

Now we'll put a little bit of filling inside here. The horns are done,

now we'll make the nostrils.

NOSTRILS

The nostrils are very simple. With the brown thread, we'll make a magic ring,

we'll fast the thread and, inside this ring, we'll make six single crochets.

After that, we'll close the ring.

Now, we'll cut this thread with some leftovers

to be used later in the seam

and let's pull the thread.

Now, we'll pass this thread's tip through a darning needle. Notice that our circle

has closed but not our row. The thread is going out from here, we'll insert the needle

in the next stitch,

pull it carefully and go back to the place from where it came from.

The tying up is done, we've a small and round circle.

Now we'll just fast this thread back here with a single tying up

so that finish that we've made don't tear apart.

Then, we'll move this thread forward.

This thread will be used to sew the nostril on the head, this other one, which is

the magic ring's thread, we'll pass it through the needle and we'll pass it below

the stitches from the inside out.

Then, let's pass the needle below the stitches

and let's fast this thread.

We can't directly cut it because it's the magic ring's thread.

If we cut it without fastening it back here, the ring will open.

So, now we can cut this thread.

Let's make the other nostril in the same way.

The nostrils are done, now let's make the head's flower.

FLOWER

To make the flower, we'll now use the Bela's thread, which is thinner and the 2.5mm needle.

So, with the yellow thread, we'll make the flower's core. Let's make a magic ring

and, inside this ring, we'll make six single crochets.

With that done, we'll close the ring.

And let's finish this thread with a slip stitch.

Now, we'll cut the thread and we'll hide it back here.

With the aid of a needle, we'll pass this threads below the stitches through

the back of our circle.

And we can cut the threads.

The flower's core is done, now we'll make the petals. Let's use the red thread.

We'll fast it at any part of the core.

Let's just tie the thread so it won't go out of place.

And let's start working, we'll initially make the four chains.

And now we'll make three treble crochets by inserting the needle here with the chains,

in this same space here.

So, for a treble crochet we'll make two loops on the needle. Let's insert it in the same places

where the chains came from, let's remove two loops, two more and two more.

We'll make two more stitches like this one always in the same space,

inserting the needle in this space. So, two loops, insert it in the same place,

take two, take two and take two. One more, two loops,

insert, take two, two and two.

So, we've made four chains, three treble crochets. Now, we'll make

four more chains

with a slip stitch in the same space that we were working as well.

And the first petal is done.

Now, we'll make a slip stich in the next stitch

and we'll start again a petal. So, four chains.

Three treble crochets, all in the same space.

Four more chains.

A slip stitch there in the same space.

A slip stitch in the next space. The second petal is done.

We'll make, then, a petal over each core's stitch. Since our core has six stitches,

it'll be six petals. So, we'll make this proceeding four more times.

We've already made five petals, let's make the one more.

So, in the next stitch, a slip stitch.

Four chains.

Three treble crochets with them.

Again, four chains.

And a slip stitch

with them.

We've completed the last petal. We'll insert the needle in the space where the first petal was made

and we'll make a slip stitch here to tie it up.

Now, just pass the thread inside this handle, it's already cut, and pull it.

We've made the six petals, the flower is done. Now, let's make the leaves.

LEAVES

With the green thread, we'll make 14 chains.

With the 14 chains done, now we'll make, starting on the third chain from the needle,

two treble crochets, so two loops.

Let's insert the needle in the third chain, take two handles,

two handles

and two handles again.

It'll be two treble crochets, right? We've made the first,

we've completed the second. Now we'll make two double crochets.

So, the double crochet is just a loop, take two, take two. Loop.

Take two, take two. Then, a half double crochet. Loop.

We've three, we take three at once.

Now, two single crochets.

Then, one,

two.

Again, a half double crochet. Loop.

We've got three, take the three. Then, two double crochets. Loop.

We take two, take two. The other double crochet.

We take two, take two. Now, two treble crochets. Then two loops.

We take two, two and two. Another treble crochet.

We take two, two and two.

Now, we'll make two chains

and a slip stitch with the second treble crochet.

The leaves are done, now we'll cut the thread and hide it below the stitches through the inside out.

After cutting the thread, just pull it.

Let's hide these two tips then.

So, through the inside out, which is the right one, through the back,

we'll pass this needle below the stitches.

Until the center.

We'll leave this thread here because we'll use it to sew the leaves underneath the flower.

Here is our flower, we'll put the leaf underneath it.

Through the inside out,

and let's make some stitches back here to fast it.

Now, just tie it up.

The flower is done, we'll make a handle to hang our cow.

HANDLE

Since the upper part of the cow is white, we'll use the white thread,

the Bela Arte one, which is thicker with the 4mm needle. We'll make 15 chains.

Don't press this chains too much because now we'll work on them and, if they're too tight,

it'll be more complicated for the needle to get in. Starting, then, by the second chain from the needle,

we'll make a slip stitch over each chain, it'll be 14 stitches.

So, inserting the needle here on the second one, we'll

pull the thread's handle and pass it through the inside.

So, I insert the needle, I pull the thread

and I pass it through the handle that's on the needle.

I insert the needle that's in the chain, I pull the thread and I pass it in the handle.

Then, we'll make a slip stitch over each stitch until the end of the handle.

Reaching the end, we'll cut the thread and pass it through this handle.

Now we'll close this handle with the aid of a darning needle.

Now, we'll unite these two tips

and really form a handle.

So, with a thread, we've close the handle and the other one we'll save it

to sew the handle over the head.

Now we'll pass this thread below the stitches to hide it.

Now, just cut it.

And the handle is done.

ASSEMBLY

All the parts are done, now we'll assemble the cow.

Now, let's pin the ears on the head.

Five stitches apart, if we take them as a reference.

So, five stitches here, nineteenth row. We'll start the first ear's sewing on this point.

Let's pass the thread through a darning needle and let's start sewing.

Since this sewing area is too tiny, it's not necessary to put pins or

clips here, you can directly sew it. But, if you feel like doing so, you can put them here.

So, let's sew one side.

The ear is turned over here, now we'll turn the ear to the other side

and make a seam on this side.

We can make some stitches and let them to be loose. Then, we pull.

Let's leave this ear very firm,

so it'll be laying down, but firm.

And then, after it gets very steady,

we'll tie it up.

So, make some stitches here until you fill that it's very firm.

Now just tie it up with the thread.

Common seam tying up.

We make a handle, pass the needle inside it.

Then, we'll insert the needle here,

sink it in the head and exit at any place.

Now, just cut the thread.

Now, we'll pin the other ear on the other side in the same way.

Now, let's put the horns.

We'll count two rows above the ear and we'll locate it here.

Let's fasten it with clips, if you prefer, you can use pins.

And we'll put this horn in a way that we don't undo its format.

It's not to flatter it,

it has to look like that, with this format.

Now, we'll sew it on the head. We'll involve a horn's stitch

and we'll choose a place on the head.

Involve the place of the horn,

pick up a place on the head.

Let's do this all around it.

We've reached the end,

now let's tie up the thread.

Let's put it inside the head, sinking it so it doesn't show up on the surface,

and let's cut it.

And the first horn is in place, now we'll sew the other horn on this side here in the same way.

The ears and horns are in place, now we'll paint the cow's cheeks to put the nostrils above the cheeks.

We'll moisten up the thread, just moisten it,

and let's get the fabric paint.

So, let's put a little bit of ink on the brush.

And let's apply it on a dry cloth

until it almost vanishes,

until these scratches here disappear, look.

Let's use the brush upright and let's make circular movements

to form the cheek.

Let's repeat this process on the other side. The cheeks are done, now we'll

sew the nostrils on them.

Below a pink row.

The thread is on the needle.

So, we'll keep making stitches over each stitch.

Here goes upfront. Since this piece is too tiny, we've to exit with the needle below it.

And, then, insert the needle in it.

So, we come back with the thread here, we exit underneath it.

We've entered in the nostril

and we came back.

We'll make these stitches all around this circle here. It's fastened behind it,

we'll tie it up. Let's grab one of these handles,

pass the thread inside it

and leave it any part.

Now, just cut.

The first nostril is in place, now we'll count six stitches from here and put the second one.

So, one, two, three, four, five, six, it'll be put here,

in a way that when sewing it, it's gets a row below the pink. The nostrils are in place,

now we'll sew the flower on the head.

We'll make this thread that's left, pass it through a darning needle

and let's hold the flower here,

on the side, and let's sew it with some stitches,

right at the base of the ear.

Let's make a seam through the inside all around the core

and our flower is fastened.

Now, we just need to tie up the thread.

And let's leave it at any part of the head.

The head is done, now we'll put a lace down here.

We'll make a lace with a tape and we'll sew it here on the cow's base, of the head.

With the common needle and the sewing thread.

So, let's make some sttiches.

So that the lace gets pretty firm. Center the lace right between the nostrils.

And sew it up.

We'll make this stitches all around the lace to get pretty firm. The lace is in place,

now let's sew the handle and the ring on the back of the head.

Then, let's sew the handle right on the top.

Let's fasten it properly, since it's with it that the head will be hanged

to support the dishcloth's weight.

The handle is in place. We'll use this thread

to start to pin the ring here on the back.

We'll hold the ring here and we'll sew it up.

Let's involve the ring with some stitches, from the head and involving the ring here.

Let's make some stitches so it'll get pretty firm, pretty steady.

So, this part is fastened, let's tie it up.

Pass the thread below it,

inside it, in a matter of facts, of the head,

and make some stitches here.

And let's tie it up.

Now, we'll leave the thread inside the head and we'll cut it.

Now, let's fasten the other thread and make some stitches on this side.

Let's pass the folded thread through the needle, forming a handle here on the tip.

So, we'll come here on this side,

pass the needle inside it

and make some stitches.

For the ring to get pretty firm.

Now, just tie it up.

Our cow is done.

Did you like it? So, click on the like, subscribe to the channel. If you want to receive more

news about amigurumis, access: www.ateliemariare.com.br.

See you in next class!

For more infomation >> Door dishcloth with crochet's cow | Crochet for Kitchen - Duration: 1:10:59.

-------------------------------------------

Plan de Juan Carlos I que hace temblar de Zarzuela: El Rey, Letizia y Cristina, cara a cara - Duration: 3:27.

For more infomation >> Plan de Juan Carlos I que hace temblar de Zarzuela: El Rey, Letizia y Cristina, cara a cara - Duration: 3:27.

-------------------------------------------

La 'monarquización' de Meghan Markle en tiempo récord recuerda poderosamente a Kate Middleton - Duration: 3:39.

For more infomation >> La 'monarquización' de Meghan Markle en tiempo récord recuerda poderosamente a Kate Middleton - Duration: 3:39.

-------------------------------------------

Otro diputado de ERC engorda su nómina a más de 6.000 euros como Rufián y Tardà - Duration: 2:36.

For more infomation >> Otro diputado de ERC engorda su nómina a más de 6.000 euros como Rufián y Tardà - Duration: 2:36.

-------------------------------------------

Vaisselle de l'Elysée, piscine à Brégançon, Emmanuel Macron répond aux critiques - Duration: 1:31.

For more infomation >> Vaisselle de l'Elysée, piscine à Brégançon, Emmanuel Macron répond aux critiques - Duration: 1:31.

-------------------------------------------

GOSSIP: Stefano De Martino: relax a Ibiza con Santiago e Gilda Ambrosio - Duration: 5:55.

For more infomation >> GOSSIP: Stefano De Martino: relax a Ibiza con Santiago e Gilda Ambrosio - Duration: 5:55.

-------------------------------------------

Festa argentina silencia gozações brasileiras na Fan Fest de Moscou - Spica TV - Duration: 2:51.

Enviado especial a MoscouA torcida argentina aguentou calada as provocações brasileiras para, nos minutos finais, explodir em festa na Fan Fest de Moscou, principal concentração de torcedores na capital russa

 A Albiceleste venceu a Nigéria por 2 a 1, em São Petersburgo, e se classificou em segundo lugar no Grupo D

 Aos gritos de "Messi, tchau" a torcida brasileira transformou a Fan Fest em um verdadeiro carnaval com a esperança de festejar a eliminação da Argentina no Mundial

  Como a Seleção Brasileira joga em Moscou contra a Sérvia, nesta quarta-feira, o número de torcedores brasileiros era consideravelmente maior do que dos hermanos

A primeira comemoração foi no início do segundo tempo, quando Moses marcou de pênalti

Saiba maisNos últimos 10 minutos, os brasileiros chegaram a puxar coro de "eliminado" e "aeropuerto"

Mas o gol de Marcos Rojo fez os argentinos despertarem. Com o apto final, veio o alívio

Os argentinos só deixaram a Fan Fest retirados pelos seguranças, que começaram a evacuar o local 1h depois do fim do jogo

Nas oitavas de final, a Argentina enfrenta a França.

For more infomation >> Festa argentina silencia gozações brasileiras na Fan Fest de Moscou - Spica TV - Duration: 2:51.

-------------------------------------------

Ahora en Oaxaca: roban y queman más de 8 mil boletas electorales - Duration: 3:17.

Apenas el lunes por la noche se reportó el robo de 11 mil boletas electorales en Tabasco

Ahora en Oaxaca sucedió algo similar: cerca de 8 mil boletas fueron robadas… bueno, con la diferencia que éstas habrían sido quemadas

Capacitadores asistentes electorales trasladaban material a utilizarse el próximo 1 de julio en los comicios, cuando fueron interceptados por sujetos armados que consiguieron robarles más de 8 mil boletas electorales correspondientes a las elecciones de diputados locales y presidentes municipales

De acuerdo con La Jornada, la papelería electoral iba a ser entregada en el distrito de San Pedro Mixtepec, Oaxaca

El robo habría ocurrido cuando los funcionarios transitaban en su vehículo por el camino a San Juan Quiahije, según reportó el Instituto Estatal Electoral y de Participación Ciudadana de Oaxaca (IEEPCO)

A diferencia de lo que ocurrió en Tabasco, donde hasta horas después se encontró material lectoral (con excepción de las boletas), los funcionarios electorales señalan que, enseguida que bajaron las boletas electorales del vehículo, los sujetos armados les prendieron fuego

Después de destruir las boletas, los agresores permitieron que los capacitadores siguieran su camino

Una vez que se encontraron a salvo, acudieron a las autoridades para presentar la denuncia correspondiente

Según los cálculos del IEEPCO, en total fueron quemadas 8 mil 204 boletas. De éstas, casi tres mil iban para el municipio de San Juan Quiahije, donde se elegirá diputaciones locales

Cuatro mil 201 iban a a entregarse en San Miguel Panixtlahuaca, para la misma de diputados, y mil 81 boletas para casillas de San José Ixtapan, municipio de Santa Catarina Juquila

El fiscal de Oaxaca, Rubén Vasconcelos Méndez, informó que fue abierta una carpeta de investigación para intentar determinar qué fue lo que ocurrió y, si se puede, dar con los responsables

Por su parte, las autoridades electorales señalaron que no habrá problema, las más de 8 mil boletas ya fueron mandadas a reimpremirse y estarán en sus respectivos destinos antes del 1 de julio

For more infomation >> Ahora en Oaxaca: roban y queman más de 8 mil boletas electorales - Duration: 3:17.

-------------------------------------------

Santiago Cañizares y Mayte recuperan la sonrisa con un regalo de su hijo - Duration: 2:12.

For more infomation >> Santiago Cañizares y Mayte recuperan la sonrisa con un regalo de su hijo - Duration: 2:12.

-------------------------------------------

[Nouvelles de divertissement] || Kendji Girac, son regret face à Johnny Hallyday ? - Duration: 2:00.

For more infomation >> [Nouvelles de divertissement] || Kendji Girac, son regret face à Johnny Hallyday ? - Duration: 2:00.

-------------------------------------------

Candidatos del Frente realizan cierre de campaña en Tepic - Duration: 1:57.

Tepic.- Rodeados de simpatizantes en la Plaza Bicentenario en la ciudad de Tepic, los candidatos de la alianza "Por México al Frente" en Nayarit realizaron su cierre de campaña a cuatro días de las elecciones federales; Ivideliza Reyes aspirante a la diputación federal por el segundo distrito agradeció a los integrantes de los partidos Movimiento Ciudadano, PAN y PRD por acompañarla a recorrer todo el territorio, así como a todos los ciudadanos que estuvieron con ella durante 90 días de campaña

"Sabemos perfectamente la problemática y muchos estamos decepcionados por la falta de resultados, pero eso, no nos derrumba, eso nos tiene el día de hoy más fuertes que nunca y luchando con todas nuestras fuerzas, para poder lograr ved a ese Nayarit que todos queremos, a ese Tepic de pie, a ese Tepic con sus problemas resueltos, por eso voy al Congreso Federal, por eso voy al Congreso de la Unión, par ayudarle a Tepic", comentó Ivideliza en su mensaje

  La fórmula al Senado de la República, Gloria Núñez y Gudalupe Acosta Naranjo recibieron el apoyo de los asistentes, de igual manera agradecieron el soporte que han realizado a lo largo de estos tres meses de campañas políticas; pidieron salir a votar por los candidatos del "Frente" este próximo domingo 1 de julio

"Vayamos y platiquemos con las familias, que necesitamos diputados y senadores responsables, un presidente de la República aliado de Nayarit, aliado de los nayaritas; que Gloria Núñez ya dio resultados y que el día de hoy su amiga, no la candidata al senado nada más, una madre de familia igual que ustedes, igual que las mujeres de la Emilio M

González, que me acompañaron a tocar puertas, igual que las mujeres de la zona rural que me acompañaron a tocar puertas, hoy una madre de familia les pide que hagamos equipo" dijo Gloria Núñez, candidata a Senadora de la República PAN-PRD-MC

 "Hemos venido recorriendo todo el territorio del estado, y hoy estamos cerrando campaña en el corazón de Nayarit, en la Plaza de los Constituyentes… nosotros no necesitamos que venga un personaje nacional para llenar esta plaza, la gente viene a ver a Ivideliza, la gente viene a ver a Gloria, la gente viene a ver a Naranjo…valemos por nosotros mismos, nos atenemos a nuestra trayectoria, nos atenemos a nuestro trabajo", agregó Guadalupe Acosta Naranjo/ Candidato a Senador de la República PAN-PRD-MC

   

For more infomation >> Candidatos del Frente realizan cierre de campaña en Tepic - Duration: 1:57.

-------------------------------------------

|| David Hallyday très ému devant le concert hommage de Sylvie Vartan à Johnny ? - Duration: 1:40.

For more infomation >> || David Hallyday très ému devant le concert hommage de Sylvie Vartan à Johnny ? - Duration: 1:40.

-------------------------------------------

Violeta pide una cita a un pretendientes de Marina y este le dice que no - Duration: 3:59.

For more infomation >> Violeta pide una cita a un pretendientes de Marina y este le dice que no - Duration: 3:59.

-------------------------------------------

Christophe Maé garde un souvenir TRÈS AMER de sa collaboration avec Johnny Hallyday - Duration: 2:12.

For more infomation >> Christophe Maé garde un souvenir TRÈS AMER de sa collaboration avec Johnny Hallyday - Duration: 2:12.

-------------------------------------------

¿Predijo H. G. Wells la creación de Internet? (I) - Duration: 4:39.

For more infomation >> ¿Predijo H. G. Wells la creación de Internet? (I) - Duration: 4:39.

-------------------------------------------

8 signes qui indiquent des problèmes de la glande thyroïde - Duration: 8:27.

For more infomation >> 8 signes qui indiquent des problèmes de la glande thyroïde - Duration: 8:27.

-------------------------------------------

Les 10 Meilleures Règles de Quentin Tarantino - Duration: 18:39.

- Yeah, okay I'm a big fish in a puddle, so what.

All right, they're not doing anything.

You make a god damned kick ass movie and you take it

all over the the (bleep) planet Earth.

Now, true I'm I'm making specific films,

and if you make a specific film that's not

everything for everybody you're going to turn some people off.

I grandiose my way out of fear.

How do you get that vision that's in your head

how do you get it on the screen?

I worked for, God, three years on a 16 millimeter

film that ended up becoming nothing but guitar picks.

You also can't just, I mean when the going gets tough

not give up on your vision.

Do a heist film, deliver the goods as a heist film,

but it's a heist film where you never see the heist.

Now that I've written the first pass on it

what do I think about it?

How can I make it better?

Is there another element I can bring into it?

You can't make a 14 year old girl coming

of age movie in Australia without having

a car chase break out at some point.

- He's an American film maker and actor.

His film have garnered both critical and commercial success.

He received a star on the Hollywood Walk of Fame

for his contributions to the film industry.

He's Quentin Tarantino and here are his

top 10 rules for success.

(air rushes)

(thuds)

- I got a, I started working at this video store,

it's pretty much what you're talking about

around that time.

And, it was great at first because I'd always

hated day jobs and stuff.

And so, I got a day job and it ended up

being pretty good, but admittedly I was there

for five years.

At a certain point it was a narcotic.

All right, I didn't have to keep pursuing my dreams

because it's not what I want to do, but it's sort

of kind of close.

And, if I didn't have an artist's soul burning in me

I could have made myself happy with that.

If I didn't have an artist's soul burning

to get out I could have walked backwards

a couple steps and just done that.

And, it would have been a fulfilling,

well to anybody else it would have been a fulfilling life.

It wouldn't have been for me 'cause I wouldn't know

and I would have had something to say that

I didn't get a chance to say.

But, it did put me to sleep for a while.

And, I've always just thought, I mean what really

got everything kind of truly going for me,

you can point at a lot of different things.

But, the bottom line is the fact that I realized

that even the group of people I hung around with

they were all great, great, great fellas and great gals.

But, it was easy for me to think that I was doing

a lot because I was doing more to try to move myself

forward than they were.

But, that's not, okay I'm a big fish in a puddle,

so what, all right, they're not doing anything, all right.

So yeah, I'm doing more than them, but I realized

that actually I need to get my ass out to Hollywood

and meet other people who are in my category

or working a little higher.

And, I should be the weakest link in my chain

that I have and that'll make me be stronger

and make me run faster.

I mean, like an analogy I've always used is

all right if you run the 100 yard dash with people

that can't run as fast as you, yeah you'll win

hands down you know that.

But, if you run with people much faster than you

all right, you might come in last every single time

but you're time will be better because they're

making you run all the faster.

They're making you dig down just a little bit more

it doesn't matter that you won your time is faster.

And, that's what I knew I had to do.

I had to get out of loserville and throw myself

into a place where like this is what the (bleep)

do for a living.

- Do you think it's still possible for an up

and coming filmmaker to go the route that you guys

went and still be successful?

- That's a good question.

What do you think?

- Make Reservoir Dogs.

(laughs)

- That's a tough, that's a tough--

- Actually, I'm not even being a smart ass.

That was a (bleep) kick ass movie all right.

You make a god damn kick ass movie and you can take

it all over the (bleep) planet Earth, not America,

not (bleep) Las Angeles, not New York,

the planet (bleep) Earth.

And, everyone will know it.

- There is a lot more competition than there was

when I was like kicking around with El Mariachi,

so you've got, there's just a lot more to do these days.

You have a lot more competition because everybody's

got a camera now and everybody can edit.

It's just it's tough, I don't know but the state of

independent filmmaking changes just like filmmaking changes.

- Yeah, but at the same time yeah there's a lot more

competition but also those crappy movies aren't competition

if the (bleep) thing is like (bleep) dynamite.

- Yeah, yo true.

- All those shit is, yeah there's a lot of people

out there doing stuff but if it's like waves

on the (bleep) beach all right.

You make a piece of nitro that you throw

in an audience's lap, people notice.

And, people ask me from time to time,

"Do you make a movie with an audience in mind?"

And, my answer is yes I do, all right,

but the audience I have in mind isn't some faceless

blobs that I'm trying to second guess.

It's me-- - Kind of like a focus group.

- Yeah, it's me, I'm the audience.

I'm the guy that goes out and pays $7 or $8 in New York

to go and see a movie.

If I'm excited about seeing a movie I see it

on opening day, all right?

I am the audience, all right?

And, I know what I want to see.

And, I was betting and I was a little surprised

at how many there were, I was betting that there

were other people like me out there, all right?

Now true, I'm making specific films.

And, if you make a specific film that's not everything

for everybody you're going to turn some people off, all right?

But, you're going to turn some people on, too.

- When you experience moments of self doubt

how do you approach getting out of that dark place?

- [Woman] Good question.

- I grandiose my way out of fear.

(laughs)

- [Man] If you can imagine that.

(laughs)

- [Woman] It's a good way, it's charming.

- It's like literally it's like, okay I'm going to do

one of the greatest car chases of all time.

And, if I don't I'm not as talented as I thought I was.

And, I will realize that there is a ceiling to

my talent, right now I don't think there is,

but if I don't do, (laughs)

but if it's not one of the greatest car chases

of all time then I failed and there is a ceiling

on my talent, I'm not as good as I thought I was.

And, I said that to everybody.

And, was I scared?

(bleep) yeah, I had trepidation going all the way,

'cause it's mine to fail.

And, it's failing in front of the mirror, too,

'cause I'll know if I did it or not.

And, I'll be like, "Okay, you are not as good

"as you thought you were."

And, that got me to Mount Everest.

- That's true, and at one point he goes,

"Robert, can you imagine you and me doing this

"car chase together, how great it's going to be?"

And I'm like, "Hey man, you're on your own brother."

(laughs)

I ain't going out there man, I've got five (bleep) kids.

I'm not going no hundred mile an hour bull (bleep).

You want to live the Vanishing Point dream, buddy, live it.

(laughs)

And, he did it all by himself and I'm so (bleep)

proud of him.

- You see movies and they can be full of vision

and you want your movies to be like that.

But, you see these other movies that don't have

any vision but I'm sure the director tried.

So, what's the difference between this guy versus that guy?

How was this guy able to get this on the screen

and how was this guy not able to get this on the screen?

I'm sure if I talked to that guy he'd tell all

these, I'm sure he wanted that, who knows.

And, I was afraid of being that guy.

I wanted to be that guy.

And, well Terry Gilliam definitely has a vision,

no two, three, four ways about it.

So, we were at Sundance and it was like a lunch

going on at the picnic tables there else F.O.ed

and it was just me and him talking, which was a thrill.

And, I go, "Look, you have a very specific vision

"in your movies and it's right there on the screen.

"How do you do that?

"How do you get that vision that's in your head

"how do you get it on the screen?"

And he said, "Well Quentin, you have to understand

"as a director you don't have to do that.

"Your job is to hire talented people who can do that.

"You hire a cinematographer who can get the kind

"of quality that you want.

"You don't have to be able to know how to take

"the lights and move then around to create an effect,

"you hire a talented costume designer who can give

"the colors that you need and the flamboyance or not

"that you want.

"You hire a production designer who can do that.

"Your job is explaining your vision.

"Your job is articulating to them what you want

"on the screen."

And then, all of a sudden the whole mystical shamanistic

thing that I thought directing was just went boop.

And, I realized I could do that, that it wasn't this

Merlin like magic kit that I needed to know

the right spell in order to conjure.

Oh, I can describe what I want, I know what's in my head.

That's the easiest part, I'm good at describing.

To get the passion, if you've got the passion to do it

and you do it and it doesn't like work out

I worked for, God, three years on 16 millimeter film

that ended up becoming nothing but guitar picks.

And, I was very disappointed when I realized

it wasn't any good.

But, it was my film school, all right?

And, I actually got away really cheap.

When it was all over I knew how to make a movie.

I didn't want to show anybody that,

but I had the experience.

I had it a lot cheaper than I would have gotten

if I had gone to film school.

If you're really going to be an artist with you own voice

and you want to do different things and try

not the standard thing then the biggest balancing act

you have to pull isn't really even being a good

filmmaker, we'll just say that you have that,

is that balancing act between sticking to your visions,

sticking to your voice but not being some asshole that

can only hear the sound of his own voice.

And that's, I mean, it's all right there.

That's it, you got to be able to listen to people.

You got to be able to hear what their saying,

but you also can't just, I mean when the going

gets tough not give up on your vision.

There's a French director named Jean-Pierre Melville

who came out in the 50s and basically started doing

a whole series, he was like a total entertainment director.

He did a whole series of crime films always like

set in Paris or Marseilles or something.

They were basically the Warner Brothers' Bogart Cagney

films all right, but completely set to this like

French Parisian rhythm.

And, they started, (speaking foreign language).

And they're great, and they work very much in

the same way that like Sergio Leone's films do

where they take a genre that like we know left,

right, forwards, up, and down, and backwards, all right,

but they do with a whole different style

and a whole different perspective.

And, here they've basically reinvented the genre.

They've created something new that didn't exist before.

Now, that's what I'm always kind of trying to do

with my genre films.

I don't know if I'm succeeding or not,

but that's the attempt.

- To? - To take something

you've seen before, I love it, I respect it,

and I'm going to deliver the goods.

I'm not just some arty guy going off,

but I'm delivering the goods but I'm also trying to

reinvent it in a way.

All right, do something, do it in a much different way

you've ever seen before.

Like, in the case of Reservoir Dogs.

And again, it's not just trying to just be a clever boy.

It's not just a clever idea it's got to work dramatically.

All right, but like do a heist film, deliver the goods

as a heist film but it's a heist film where

you never see the heist.

That's just my goofy way of doing it.

I always say like if I was going to do like

a hunchback movie the guy would get like have an operation

at like the beginning of the film,

the guy that used to be the Hunchback of Notre Dame.

I started writing like say around 10 10:30 11,

something like that.

And then, I write till about five, six, or seven

something like that.

But, around that time, around five or six

I'm going to stop for the day.

And, what I do is I stop for the day and then

after a little bit of time of unwinding

I go into my pool and I keep it all

nice and warm there and everything,

And so, I just kind of hang out in the pool

and if I'm not done with something I think, okay,

what do I want to do?

How do I want to go further with this?

Now that I've written the first pass on it

what do I think about it?

How can I make it better?

Is there another element I can bring into it?

Add too much, whatever, I'm just looking

at it critically.

And, maybe I come up with some neat ideas.

And then, I get out of the pool and I make notes

on those neat ideas that I came up with,

by thinking and meditating about it.

It actually is meditating.

And then, that's my work tomorrow when I get up.

Or, if I've finished a scene, okay boom, man

that's done now that part of the story is done.

Now, I go in the pool and I go, "Okay, what happens next?

"what's the next thing?"

And then, I usually come up with like a pretty good

idea and then I make my notes and then

that's the next day's work.

And, that was never really the way I did it

and that has become exclusively the way I did

Inglorious Bastards and Django and this

and it truly brings a lot of joy to my life.

It's a really, really lovely, lovely way to work.

It makes me feel really happy.

The American car chases that we grew up loving

in the 70s like The Driver or Bullet or French Connection

they were location based, that was part of it

the fact that the chasing is happening in

downtown LA a night where it turns into

a ghost town in The Driver.

Or even like colors, the fact that it's through Watts,

that's a deal that's a thing, all right?

But then, once the Australians got involved in it

they revolutionized car chases.

And, I'm not just talking about Mad Max.

I mean you can't make a 14 year old girl coming of age

movie in Australian without having a car chase

break out at some point.

(laughs)

But, the thing that they did that was so great

was location oriented, is the (bleep) Outback.

Everything looks like the (bleep) same, all right.

So, all of a sudden they didn't have drive by shots.

Everything you were in the chase.

You were with the cars constantly every second.

It was like pussy to put a car off the side of road

and have them (vocalizes).

They were with them and so I wanted to actually do that.

I wanted to do the Australian style and bring in there,

but then there's even one more difference

and that is who's chasing who.

- Right. - All right?

Most of the time it's the protagonist is being chased

by a bunch of cops like in Blues Brothers

or something like that.

You're being chased by somebody.

But, the most exciting chases, the ones that

you're on the edge of your seat "Yeah, get em,

"get 'em, get 'em, get 'em," all right is when

the protagonist is chasing the person

and you want that person to get caught.

That's French Connection, that's what makes

French Connection so cause you want Popeye Doyle

to get that bastard. - Exactly.

- All right, and those were always more emotionally

connected when you were following the hero.

Well, I have both in mine.

(laughs)

I have the girls being chased, I have girls chasing.

So, I tried to hit all those emotional bases.

- Thank you guys so much for watching.

I made this video because The Morrow Brothers

asked me to.

So, if there's a famous entrepreneur that

you want me to profile next leave it in the comments

below and I'll see what I can do.

I also love to know which of Quentin Tarantino's

top 10 rules had the biggest impact on you,

leave it in the comments and I'll join the discussion.

And, one last thing my person goal with this channel

is to get it to one million subscribers.

So anything you can think of to help share it,

tweet it, comment, give it to some friends,

add it to playlists.

I really, really, really appreciate it.

Thank you guys so much, continue to believe

and I'll see you soon.

(air rushes) (thuds)

- Well, I have to say all that criticism that

came out it ended up being kind of a good thing

because one of the things I wanted to do is I wanted

to actually start a conversation about slavery

about America's role in it.

And, to actually take an audience member from

the 21st century and stick them in the antebellum

south and have a sense of what America

was like back then.

And, so even the people that have been,

have criticized the movie and so a lot of people

don't like, and I can understand that,

a lot of people do like it.

And, they've been kind of going back and forth

and that back and forth is really what I really

wanted for the end of the day of this movie.

And, I hope that actually even continues

for the next few years.

It truly is a situation where we just--

- Like the 70s.

- Yeah, exactly.

We would truly, yeah, because he was my audience

and I was his audience and everything.

And, he was like the perfect sounding board.

So, we really would like inspire each other

to go further to like, "Oh, this oh Robert's

"going to love this."

All right, I'd read him this and then he'd come up

with like, "Oh man, that's going to be so cool.

"And the greatest fun fight never heard."

I remember that, the silencer gun fight

you had at one point.

(laughs)

And actually, it was the Sony lot so like Versailles,

that Cuban place was right across the street.

So, we'd like web spin all day then go at Versailles

at night and eat and just talk about how we

were going to take over Hollywood.

A reporter all of a sudden will say, "We want to do

"a big in depth story on Quentin.

"We want to just spend some time with him

"and have him do what he does during his day."

What I do during my day is I go out to

restaurants and I go to movies, that's what I do.

And, I hang out with my friends and stuff.

I'm not into sports, I don't like sports.

Anything with a ball, no good, all right?

I'm not into sports, I'm not into cars

or anything like that.

I mean I'm into driving a car, but I'm not

into like, I don't collect cars or make model cars

or anything like that.

I'm into movie stuff and horror stuff

and like I said just hanging out with my friends

and watching TV and messing around.

And now, I'm into travel, I like traveling.

I love traveling, I love being here in London, that's great.

Yeah, I love going different places and stuff.

But, that's it, that's kind of what I like to do.

The best thing is now that I'm making a living

in the industry I have a little bit of money

is and you have to see before when I didn't have

any money at all, all I spent my money on

was movie stuff anyway.

Buying videos, buying records, buying movie posters,

I have a big movie poster collection, buying all

that memorabilia, buying all that crap.

When I didn't have any money to spend

I spent my rent money on that stuff.

See now I got more money to spend on it

and it's tax deductible because it's all

in the industry so I get it all.

I have much more money to spend.

I can buy damn near anything I want, all right,

and it's all written off at the end of the year.

I mean, so it's like, what a life this is great.